Beauty, Art and the Self

Beautiful, isn’t it.
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This, too.
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Note the patterning in this kind of thing.

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Sure, it was carefully framed, but oh so many frames were possible.

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They all have pattern.

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They’re all beautiful.

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The patterning is the gift of human observation. In order for there to be thought separate from the world, the kind of sensory connectivity shown in the images above must be separated from the world. It must have an observer and a thing observed. It’s a game, designed for certain ends. To achieve them, the actual connections between the two, that unite them into presence, must be given a name, separate from the moment of presence, or the separation cannot take place. This word is ‘beauty’. Just up from the water, for instance, separated from it by the frame of contemplation, is a rich community of water plants that have adapted to living in air …

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… and just up from them, a bearberry plant that is living in the heat gathered by a boulder left by glaciers, like the ones in the pond above.
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It is the same moment. It can be studied, contemplated and used to further many ends, including human security and culture. The great discovery of scientific thought, a form of book culture, is that this unity can be divided into pages, which can be studied one at a time, as if they were words, discrete and without connection to others, yet look how the carpet on the soil adapts to minute changes in circumstance and light, such as in the image below, beneath a fire pine taken down by beetles.

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Those subtle changes and continuities are part of human presence. By people who have learned to inhabit a tool called the self, a kind of cognitive freeze-frame camera, they are beauty, an enjoyable aesthetic frame that pleasurably satisfies an ancestral, genetic self. Yet it is the world. Look how it changes, as recorded by the image below. Note that these are not discrete moments, as the photographs suggest. They are connected. They are a flow of energy. You know how to read them. This capacity is called beauty. It is a profound order, an inhabitation of order, a being, a being there, here:

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A camera is a tool that can create the separation required to sever this human connection, so that the remaining physical or cognitive material can be used to create a secondary, virtual world more suitable for severed selves to inhabit. The camera can be used for other purposes, but it is a constant battle to do so. The machine freezes time and uses that moment of freezing to recreate ghosts of bodily presence. That’s what it’s for. Take a look at this sequence. It is three views from one kayak at one moment in September, looking to the north, to the east, and to the west, all within about a second or two.

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Such descriptions of time are meaningless in the moment, but are of great use to the self that is a book. Just a moment away, the forces of energy and matter and time that those photographs render into images, look like this:

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It is the same moment, but extended differently into spiritual space. This, too, up on the shore.

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Presence would be better served by a term other than beauty, because that term does not differentiate between the book self and the human capacity to be present in a continuum. To the book self, the continuum is meaningless, and can only be intuited by yet more divided knowledge. To presence, the divided knowledge is a machine, a device, a tool, and not identity. The need for better differentiation is clear. The word that keeps getting in the way is “creativity.” This, for instance, is not a creative photograph:

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Nor is this:

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To be creative, it must serve the expansion of the virtual self and the replacement of the world of presence, and the infinitely gradated ability of the human body to read and extend that presence, through the combination of pre-existing elements. This would be creative:
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Those are beautiful things. They represent the colonization of the world of the self by the world of presence, its humanization, shall we say. It is another representation of the ability of the human body to find spirit, wherever it may be found, and in whatever form its presence may take. We should be very clear about the differences and similarities between that and this eagle (below.)
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The world, and other people within it, have become prey. It need not be so. Ah, here you are at last.

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One thought on “Beauty, Art and the Self

  1. Pingback: Creativity and Environment: The Story So Far | Okanagan Okanogan

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