This is what the present looks like. You can see how a 100,000,000 year old seabed, lifted into the sky by a collision with North America and silted up with the drift of a river running alongside a melting glacier is covered with life, the present state of the earth, and gathering rain to feed it.
The following is what time looks like. This is 10,000 years ago. You can see that the land has been scraped down to post-glacial rubble, contemporary life-giving water is piped across the land’s ancient face, the life is exclusively immigrant weeds, and houses have been erected on shelves of gravel taken from this slope and dumped on the hill. The goal is to re-create the moment when European cultures first stepped onto this human space, and claimed it as an art installation re-creating the moment when Homo sapiens first colonized post-glacial Europe.
It was an attempt to get past history. It is, as you can see, a fortress culture. This is the hill above my house. Millions of dollars were spent to create this bittersweet romantic artwork. Not a penny was spent to maintain the earth it relies on for its illusions.
That’s because the “wildness” of that space is one of the illusions of the artwork called time. What if we stopped looking?
It’s almost 2017. Now that art is no longer in the galleries but in the world, shouldn’t art tourism be outside of the galleries but in the light. In Iceland this month, it is sunset all day long. The palettte is exquisite. 
The “galleries” sell handcrafts. The light goes on.
Power given is returned in the same gesture.
And here at La Push.
