Crazy Okanagan Water

Today, I’d like to show you some water in its living environment and some crazy water. First, living water:

That’s mock orange, doing its thing. Home to deer, porcupines, bears, lazuli buntings, people, American goldfinches, chickadees, finches, quail, crows, pheasants, fritillary butterflies, swallowtails, yellow-bellied marmots, meadow voles, coyotes, wolves, magpies, northern flickers and everyone else who still manages to survive on this ruined grassland. Now for some crazy water:

I showed you this image of the bear I spooked out of the mock orange the other day, but it bears (ha ha) repeating in this context, because that’s not a natural landscape it is walking through. It is, actually, something much like this:

Syrian government officials walk on a road, back dropped, by damaged buildings from fighting with Free Syrian Army fighters in the old city of Homs, Syria, Thursday, May 8, 2014. Syrian President Bashar Assad’s government in the north prepared to regain control of the central city of Homs following last week’s cease-fire agreement after a fierce, two-year battle with the rebels trying to oust him. (AP Photo)

Source.

Look at it again, if you please:

This is a ruin from a war over the land fought unevenly over the last 160 years between the valley’s syilx people and various industrial farmers. By 1871, the land was trashed by overgrazing born of ignorance. What you see here, a chokehold of big sage interspersed with invasive cheatgrass, both of them useless in these numbers for supporting complex nets of  life, are replacements for a rich grassland that flowed with life through the year. The rich grassland was a creation of a partnership between the earth and the syilx. Its trashing was an act of aggression: ignorant, for the most part, but aggression nonetheless. Still, a small amount of life survives in the ruins: voles, and the coyotes, bears and hawks who hunt them, all dependent on the lighter-coloured plants you see above, the arrow-leafed balsam root, a kind of wild sunflower that has adapted to the ruins and is recolonizing them. That is a vision of hope: a ruin, sure, but hope nonetheless. Note how much water these flowers represent, and how much of it flows through a renewable web.

Below is some more water from the war. This is Chief Emmitt Liquatum of Yale in1881.


Photo: BC Archives.

Note the top hat, a symbol of power from the fur trade days (or at least of a ritual belief in power). It is a beaver turned to felt.

Beaver Keeping the Water in the Sinlahekin Valley

Beavers ensure a balanced distribution of water in dry country but were trapped and traded, often before the first European colonists showed up, for war surplus Napoleonic rifles, in an attempt to stave off genocide. It worked, but barely, and more because of the top hats and pre-Canadian relationships than the rifles. The image of Liquatam was taken shortly after the salmon fishing on the Fraser River, the main food source of his people for 6,000 years, was rendered illegal by the new Canadian government (of 1871 in these parts), to support White salmon fishermen on the coast. I have another image (a bit farther down), which shows the crazy water that comes from this nonsense. It is an image of the north end of 350-square-kilometre-135-kilometre-long Okanagan Lake in this year’s high water. It has been poisoned. This has come about in part because of those dead beavers and the industrial agriculture made possible by their absence, and the private, industrial property aesthetic that presumes prominence for industrial uses of water and land over health of water and land for people and all creatures, and a lack of run-off. All these workings-out of old errors and privatization is now showing itself in this form:

Source

You are looking here at a toxic algal bloom on the Okanagan Indian Reserve at Head of the Lake — more specifically at the water off a recreational property leased by a band member to a White family. No-one wants to swim in industrial sludge, but that’s what this is. Here’s the story: http://www.cbc.ca/news/canada/british-columbia/algae-bloom-okanagan-lake-1.4178423. Here is, incredibly, what the story says:

The Okanagan Indian Band released a warning on Sunday to residents and visitors to stay out of the north arm of B.C.’s Okanagan Lake until further notice due to a toxic algae bloom.

 

The band says the bloom in waters off its land was first thought to be a sewage leak, but testing showed it was caused by a high level of organic material in the lake.

 

High temperatures over the weekend helped the algae flourish in a soupy mixture that the band says includes everything from burlap and sand debris to sewage, grass, leaves and dead animals.

They are being kind. Here’s some crazy water — in the old lake bed to the north of the lake by the looks of it but perhaps in the old lake bed to the east of the lake:

Source.

This is about privilege, even though it seems to be about work and economy and making a country. The thing is, before that country set the industrial terms for water use, water was a common good, shared by all. After 160 years of an uneasy balance between sharing and industrial water rights, filtering water through industrial crops before it flows into the lake, and the old syilx water system it represents, continues the original violence. There’s no way of covering that up, because ignorance is no longer an excuse. Sure, there appears to be a belief that if contaminated water is passed through soil, which is viewed as part of the de-indigenized cultural space called land, which has the other names of earth and nature, it will be again as pristine as the original White impression of indigenous/earth cultural creation in 1858, when all this began. That is crazy. First, because this so-called “nature” was a humanly-maintained cultural space, which gave the earth cultural autonomy, and secondly because the following image isn’t pristine:

It’s the lake bottom in the west arm of the lake, that’s what it is, just south of the algal bloom on Okanagan Indian Band shores which I showed you above, and right beside one of the Okanagan’s major swimming beaches, to which thousands of people come with their children every summer to enjoy what is, hopefully, “the good life,” and why not, family is really important. Here are some images of this arm of the lake…

 

So is the image of pristine water poisoned by industrialization below. It connects to beach culture, and the recreation use of Okanagan Indian Band lands, through a direct colonial desire to physically enjoy nature. In this case, it is through industrially-management of land, draining water down off the hills, to produce pumpkins for a European harvest festival. This work is done with a mixture of herbicides, fertilizers, cultivated weeds (the things are attempting to heal the soil, yet they are tilled under as they don’t fit the imposed industrial model) and water and sun managed by plastic, thrown away at the end of the season. This is an image from last year This year, this land is empty, except for a trial plot of genetically-modified canola under scientific trial. That the land was removed from life to produce this hyper-industrial product is, I’m sorry, in it context there’s no other word for it, an act of pure aggression and violence. That syilx water flows through it.


Okanagan Basin Water Board, are not absolved of blame just by saying good things.

“Our vision is to have a fully-integrated water system, meeting the needs of residents and agriculture while supporting wildlife and natural areas.”

Here’s their image of that:

 

It’s weird to have one’s valley turned into a cartoon, but note some important things: first, the 10,000-year-old lake of fossil water from the Ice Age is labelled “waste water”, and the river systems are labelled “municipal water” and “water supply” completes a cycle with “waste water.” That’s disrespectful of the bear I met the other day, the syilx, and anything else that comes from this land. In this conception, there is only urban infrastructure, based on colonial water use models. You can see the contrast between desert and lushness in the image of my city, Vernon, below:

This elite blindness is omnipresent and is a sign of ecological poverty. It comes from an intellectual culture that views, without question, this spring’s problems with water in the valley  as problems of extreme high water. Seemingly, if the land had just soaked it up a bit better, like we were used to last year, it would not get nuts like this. Well, it’s not the first flood. Blaming water run-off on weather, when the land’s ability to use water or hold it has been removed, is intellectual nonsense. Worse, when a cause is given, it is global warming. Global warming is serious stuff, but this is the result of the abuse of human-earth water systems, based on an ignorant or dismissive rejection of syilx cultural values, people and knowledge, over anything else. To say otherwise is crazy. The history is very clear.  I wish the craziness stopped there, but here’s some more crazy water, and once again it is crazy with the best of intentions and the worst of blissful ignorance and disrespect:

Source.

This is an image of vineyards, formerly the orchards of my youth, in Naramata, looking towards the southern shores of Okanagan Lake, where any muck from the north will eventually flow, before co out through the Okanagan River, in the middle distance of the image, and joining in that dredged, diked channel…

Source.

…with the outflow from the Penticton Waste Water treatment plant, before continuing south. It is the poster image of an article on a new water study being conducted at the University of British Columbia in Kelowna, at the approximate mid-point of the lake. http://www.cbc.ca/news/canada/british-columbia/could-soil-be-the-next-carbon-sink-ubc-okanagan-to-lead-study-1.4152301

The study, worth $1,400,000, is to determine some pretty useful stuff around the role irrigation water plays, including the rates at which dirt, in a hot climate, builds up carbon — not to protect the atmosphere from industrial pollution but to become soil, which is carbon=based life and dead life on which it feeds and which holds its water — under the effects of irrigation. The difference between the agricultural capacity of the soil before and after irrigation would be useful to know, especially since the early irrigated desert cultures of Mesopotamia poisoned their soils with the salt that comes from evaporation during irrigation and turned their gardens into deserts, which are now battlefields in hopeless and helpless wars, not to mention contemporary experience with the same issue in the American Southwest, in order to modify irrigation, but that’s not how the story is told. The media tells it like this:

“When we talk about climate change, we often discuss the concentration of carbon dioxide in the atmosphere. But actually a huge amount of carbon is stored in the soil,” Kirsten Hannam, a research associate on the project, told CBC’s Chris Walker on Daybreak South.

 

The buildup happens when carbon dioxide in the air is fixed by plants during photosynthesis and converted into leaves and roots. The carbon is deposited into the soil and accumulates over time.

That, unbelievably, is a description of life on earth: carbon, deposited and accumulating over time. How disrespectful. How obscene. But it’s not just the media. Here’s how the government sees it:

“These new investments are part of the government’s commitment to addressing climate change and ensuring our farmers are world leaders in the use and development of clean and sustainable technology and processes,” said

Lawrence MacAulay, minister of agriculture and agri-food in a statement.

Got that? The government is going to address global climate change by using scarce and incredibly precious water, already over-committed by overpopulation of humans, in the Okanagan Valley, and is selling this as a way for farmers to develop clean and sustainable processes. I think this means is that farmers will be using our water to sequester industry’s carbon, and will be paid to do that, instead of producing food, or learning to work with beavers, or respecting the syilx. Really, this has to stop. The spring has been rife with young Indigenous writers demanding that the violence stop, and calling out the White community on their sense of entitlement. Well, it’s not about statements of social inclusiveness. It’s about changing the story so that the story is a syilx, or a secweopemc, or a cree story, and that’s going to mean that the earth and her creatures, and non-industrialized, non-privatized water are going to have to be at the centre of law and ethics. Anything else is absolutely stark raving mad.

We either stand with the earth and her people or we shoot it in the temple. The problem is: we are her people. The solution, which is easy, is that we are of her water, and we need to go home.

Plastic, Gardens and Drought

The replacement of lawn with gravel to save a rain shadow valley from drought is based on the principle of laying plastic down over the living earth and smothering it so that its natural creative energy is killed.Or so it seems. After only two or three years, the earth reasserts herself and begins to bury the stones.
Any decorative appeal, which was gained at great expense, is soon lost.

Things begin to look like hell.

What a lot of work it is to kill the earth. Sometimes it’s just easier to give up and grow a garden.

Dang, but a few years will nix that, too. Whew.
Best to give that up to and relax by the lake. A cool brewsky. Kids playing in the sand. Corn on the cob. Nature, you know? Nice. Here’s the corn, coming along.

Oh, crap. Of course, you don’t have to kill the earth. You can use plastic to bring her to life, too. Water, you know.

A society gardens in its own image. That’s the thing. If you want to know your country, look to its gardens.

Ouch.

Who is the Gardener?

I have learned this week what I already knew but had no words for. I am not the gardener in this land, but the garden that the land makes. Needle-and-thread grass makes me, with its sprays of delicate light in the wind and its way of drilling its seeds into the soil using the heating and cooling of days and nights. It is a beautiful plant that connects me to childhood and mystery. It also thrives in this dry climate.
In comparison, the weed-choked land, the gift of bad cattle management, and the orchard land it was developed into a little over a century ago, create different selves. I follow their paths, often unknowingly, and thus am created by them in their image. It is often an ugly image.

It replaces eternal ones, such as this doe and her year-old fawn, who watch me out of the last snow, in sagebrush that has turned weedy from overgrazing by cattle. There is little for them here now, but her gaze tends me, and make me in her image. I am gardened.

Many of the old orchards are weeds of mustard now. The idea of chopping the land into small spaces did not produce people with the ability to develop a culture other than to develop into the weeds that speak most clearly of the introduction of foreign crops in this ancient space. These weeds, and the people who buy and sell the land they grow on, are gardened not by the land and its water but by sets of laws imposed upon them.

But they are still gardened. To say that we, humans, have a garden is to say that we stand in the place of the earth and try to recreate that relationship to our own benefit. Here’s a glimpse into my garden this morning.

It, of course, also gardens me, if I let it. I do. I’m not the only one. A woman down the road has sown poppies in the cheatgrass and rescued a barren, scarred hill into a delight that can recreate the land for thousands.

We make ourselves by tending the land, so that it can tend to us. If we cover it with black plastic to kill that relationship, our children will grow up in a zone of death. It will take time, but it will come. That is not gardening.

This is gardening:

This is respect.

Global Warming, Indigenous Culture and Industrial Nature

Please, forget carbon dioxide for just a minute, if you can. It’s a symptom, not a cause. There is worse.

Nature in Canada

This mule deer doe is trapped by fences on this hill. The collection of weeds (all introduced by cattle farming, except for the sagebrush, which has choked out the hillside, is also a result of cattle farming. This is an industrial ruin.

Nature in the Swiss Alps.

These alms in Unterwasser, in Alt Sankt Johann, feature a flock a sheep around the ruins of an old croft, a pasture water dam (centre of image) on an old creek (dry), and machine-hayed, state-subsidized farms on the beds of old forests. This is an industrial museum, used as a pharmaceutical to enable people who live in urban areas to survive as biological entities in artificial environments causing physical and emotional stress.

Nature in Zurich

This is an indigenous city. Here the celts became romans, adapted, and became better romans than the romans. After 2000 years of that, they raise their children in cages. This is a school playground.

In this context of adaptation, biological nature is an artform. You can find it at the graveyard across the street.

The Art of Death and Life

It’s an ancient celtic thing, that lives on. It’s called landscaping, because that’s the fashionable way to talk about it, learned from the roman britons of the 18th and 19th centuries: another group of indigenous people who romanticized nature to survive the brutality of states built as cages, and built new cultures out of it.

The wealth created by spreading these new aestheticized cultures around the planet, and living off of the conversion of other indigenous spaces into romanticized nature, or wilderness, has powered the global economy for a long time. We all live in the industrial ruins (corpses) these compromises have left behind.

Industrial Ruin on Vancouver Island

The ancient salmon forests and rain forests of the North East Pacific Coast are largely gone now. A few trees remain, but that’s it. Some of the oldest trees, however, ancient Nuxalk, Kwakwala, Haida, Nu-chah-nulth and Tlingit trees, for example, that grew huge in a shared ecosystem of humans, human shell middens, salmon and bears, litter the shores of British Columbia now, where they are called driftwood. They are not. They are ancient forests, chopped into logs, and torn by storm out of log booms. They were intended as houses, for immigrants in the United States and Canada, as well as structural timbers for Allied Aircraft, and so on. The indigenous people of this land were sacrificed, in other words, to create homes for people displaced elsewhere.

In an industrial culture, such views of industrial ruin are romantic and beautiful. In this case, they are called nature.This large stone on the shore of Discovery Passage, for example, is called, in the language of nature, a glacial erratic, and in romantic, colonial language, a grizzly bear that froze just as it touched the shore of Vancouver Island, and mythological evidence of why there are no grizzly bears on Vancouver Island. The tale was made up by a 19th Century missionary, along the lines of the Just So Stories of Rudyard Kipling. It is a part of a far older series of ancestral myths. Its attraction for artists of the industrial age is a testament to its ongoing power of attraction. For humans, this is a kind of industrial mirror.

Nature itself, a European concept, is a series of ancient indigenous forests (celtic), sublimated as principles of regrowth and renewal. It is what grows within industrial settings, returning them to the state of the Garden of Eden. In that regard, this colonized and industrialized foreshore is a Christian landscape, which is why it is so attractive to European cultures:

Ancient Kwakwala Clam Garden, Willow Point

This is also a Christian Landscape, this time above the Rhine at Sankt Goarshausen, in the celtic and roman heart of Europe. This is a catholic landscape, from a time in which the Catholic church was a political and industrial institution, when it was, in fact, an adaptation of an indigenous culture (rome) to an invasion and takeover by its own slaves. The resulting new rome was catholic. It produced images of itself, just as contemporary Canada produces images of its colonial processes along its own shores.

Wilderness in Sankt Goarshausen

These vineyards, and tens of thousands of steep hectares just like them, were farmed by hand two centuries ago, and even one, to create wine, which was marketted to dirty, industrial cities as a healthful, peasant alternative to industrial illnesses, containing simultaneously the power of the land, the power of simple people who rose from the land, and the hierarchal and imposed power of the church and God, who brought the power of the sun, and diefied power, into the grapes through the action of human hands subjugated to industry and piety. In its time, it was a beautiful compromise, creating a beautiful culture. It is all gone. Modern industrialization of wine land has created a price structure that cannot support hand labour.  This spiritual industrialization is now a ruin and, unsurprisingly, the churches are empty.

Wilderness in British Columbia’s Okanagan Valley

Another name for this form of industrial ruin, or nature, is White Privilege. This is a landscape that became racialized in 1858 and which continues along the process of racialization. In the centre of the image above is Siya?, one of the four food chiefs of syilx culture. Everything else is a series of feral European weeds. In other words, Siya?, and the valley’s earth-based culture, live marginally within the unintentional consequences of racial abuse, dehumanization, and the separation of culture and landscape. But perhaps I am being unfair. Here, have another look:

Wild Rose in a White Landscape

In a Canadian context, she is called a weed, while the real weeds are called “grassland” and “nature.” That’s how far we’ve come.

What is the Canadian vision today in British Columbia’s Okanagan Valley?

 

White Privilege: The View Over Indigenous Space

This is the outdoor, garden space of a home for Canadians retired from the petroleum industry to the East. It looks out over The Commonage, an indigenous pasture land that has been under land claim since 1895. This “house”, or viewing platform over a regime of power, will cost about a million bucks once the dust has settled.

You are looking at echoes of European architecture, filtered through the indigenous slavery cultures of the colonial American Southwest, and built out of machine-chipped wood, which is called “added value.” Bricks and European or Arizona-style adobe and plaster will be laid over these faux pillars and arches, to give the illusion of old world comfort and aristocracy. It is, however, only illusion. Not only will it not last, but it comes at a price that only people of White, industrial privilege can afford. Well, not quite.

You can, if you like, buy a town home and live on the edge of the privilege of your oil-wealthy neighbours up above, with a view over an industrial orchard. This too is called nature. This home is built on 5 metres of infilled gravel, into which 50 cm-thick (approximate) concrete footings were poured at -20C in the middle of the winter. Notice how the spring rains are wearing away the foundation. Expect the walls to settle.

Meanwhile, in Europe, nature becomes a gesture.

Rüdesheim am Rhein

Palm trees in the old Catholic wine-making town at the entrance to the Rhine Gorge.

The tourists are growing old now. They walked five years ago. Now they are hauled around in diesel “trains”, which clear all pedestrians out of the streets. This is wine culture today: not wine culture at all. These people are not buying wine. They are buying a tour of a museum town. What is on show is indigenous culture, through the filter of the compromises it has had to make over time to survive. This way people have of surviving in cages can be quite beautiful to people who live in cages.

Here’s the Okanagan Valley equivalent.

Indigenous Food and Medicine Crop in the Ruins

aka Arrow-Leafed Balsam Root in the cheat grass.

Most often, though, it just looks like this:

Or this: In White language, this landscape is called a desert, a term which increases its attractiveness and value (hence those American Southern indigenous-slave-culture architectural forms promising aristocratic ease), but it isn’t. The wheat grasses below (also an introduced weed but intended to replace the original grassland for grazing purposes), show just how much the land isn’t a desert. This grass is growing immediately beside the dead cheatgrass above.

Not a Desert!

“Desert” is a White term here.

So, please, forget carbon dioxide as a cause of global warming for just a moment and hang out with your mule deer sister. Look how afraid she is, racing through the weeds and a few indigenous plants that, like her, are surviving in this cage, and on which she grazes.

Carbon Dioxide is not a cause. It is a symptom. The cause is “Nature”. “Nature” is a racial term. The abuse it causes is the cause of Global Warming. It is a ruin. It has many forms. Similarly, the salsify (French) below along the old (Earl) Gray Canal Trail (British) in the old Syilx Illahie, is not a cause of ecosystem degradation but a symptom, and the source of new beauty.

This post-apocalyptic view, too. The regrowth here takes on special poignancy against the background of failed industrialization and rust.

This failed industrialization and adoration of death, shows up in the backyard image below: plastic chairs model after handcrafts from the American East, in the ruins of a Japanese orchard converted to gardening space int he 1970s, converted now to a lamp of bones over a new-age bowl of magical crystals, with partially-emptied jugs of home-made wine, with ground cloth and gravel to keep the old syilx land from growing through and creating the need for hand labour.

Death has been internalized. It is all powerful and we attempt to survive biologically within its grip. Global Warming is a logical consequence. Industrialization is not the cause. De-indigenization is.

Understanding Nature

This field of swiss grain above Lake Constance is a good example of the kind of conversations humans have with the earth. This represents technology brought from Asia to Europe and used as a tool for people to live on a land without enough resources to support their population without a technological intervention of some kind. These techniques were imposed on less settled peoples by a priestly class seeking to bring the world into the order of the Garden of Eden. They fine-tuned the rewriting the land as God’s Word in monasteries, and disseminated it from there. This is a middle-eastern field, a page from the Bible, written across old post-glacial space, and over the culture that preceded this field and its people. Its current lush green represents a new imposition: chemical agriculture, laid over what was a model farm in the 1950s for the perfection of pre-industrial, pre-chemical agriculture on a model of cleverness and discipline, also gifted to the Swiss by monks. In all senses, it is a profoundly cultural space, which can be re-read and re-written, should we wish. It is not nature.

Open and Closed Air in Indigenous Switzerland

In Zurich, this is nature. A sobering thought.

Or, rather, it is a school sports field. Note the tree. It is placed where there is room. Note as well the aesthetic, architectural arrangement of elements. There is a human world in which nature is an architectural element. What the earth is, well, that’s another matter.

Whose Land is This Anyway?

No-one’s. The question is absurd. It’s not land.

It’s earth. One can ask for room, not ownership.

You can’t own Earth. She gives everyone room.

A request for land is a request for social rights. These requests occur within societies that divide social respectability and power by dividing earth into rooms of social power called land. If your goal is to escape the constraints of such a society, claiming or buying land won’t do it. You will only continue the constraints in another form.

We do it, at best, in the hope of protecting the flow of life between earthly and human spheres in that place, so we can be a part of its flow. This is called life and all creatures need it. When that flow is capitalized, it becomes part of the system of privatization. It’s a tricky balance.

Surely, we can protect that flow together.

A Short History of Whiteness in Cascadia

It’s not a physical thing.

Apricot in Her White Gown

White is a tricky, racial word. Here’s a small piece of a meditation on it from my book in progress, Commonage: The War for the Okanagan.

In English in these parts between Northern Oregon and Alaska and Western Montana to Haida Gwaii, “White” applies to people of Caucasian background, as long as both of their parents are Caucasian; people whose parents might include a Scots Hudson’s Bay Company trapper and a Cree woman from Manitoba are deemed to have negated all “White” rights, or at least it started out that way. People such as Hudson Bay Company Factor Peter Skene Ogden’s wife Julia, whose parents were Sanpoil and Nez Perce yet who was raised by a French Canadian-Cree trapper after her mother’s second marriage, was accorded civilized rights by the British but not by the Americans. People such as the Oblate missionary Charles Pandosy, who came to love the Yakama and despise the Americans yet betrayed the Yakama to the US Army in 1855 to protect it from a war it could not win, was occasionally accorded “White” status, despite being Catholic, but Father Nobili, who built a mission at the Head of the Lake Village at a) Nk’mp, or Osoyoos Lake, b) Garnet Valley, or Summerland, or c) Head of the Lake on Okanagan Lake, in 1840, wasn’t, probably because he was Italian, and Italians weren’t “White” in those days, although they are now. It was all very complicated. From an indigenous perspective, “White” actually applies to the dried white salmon of Mnassatas Creek, where this story took the form of a fish and saved Pandosy from starvation brought on by his own ignorant notion that he was living in a wilderness. This salmon was white because sockeye salmon harvested far up in their watersheds, when they’ve gone into their red spawning colours and have devoured all the fat in their bodies after a long journey, develop a white crust over their red flesh when split the traditional Yakama way and dried in the wind. So, yeah, if the Yakama were calling a man a “White,” they probably meant the red sunburn he got out in the shrub steppe and the white, peeling scab that followed a few days later.
No doubt, the Yakama knew the Christian symbol, Ichthos the fish, and stories of Christ as the Fisher of Men in the “wilderness” of the desert of Galilee. I’d be surprised if they didn’t. Swapping fish stories would be a good connection for any missionary trying to convert fishermen in the “wilderness” of the Columbia Plateau — a country in which salmon were people, in an age in which the children of salmon fishers were dressed in white to be baptised by priests. Some jokes are too good to pass up.

 

We Are Not At War

When you live on the earth, in the earth and with the earth, culture is shared between creatures, their spirits and their energies, in a relationship built of balancing energy flows, always to bring forces and creatures together into a mutually interactive patterns. In short, the cat tails below create a human culture …

… and humans who live with them and through them cultivate cat tails, in spirit, in ponds, lakes, marshes, rivers and ditches, and in words and concepts. When they don’t, you know they are not living in the earth, on the earth or with the earth but in one of the other layers of spirit built out of the complex environment of energies radiating from this planet.

 

Raven Thief

These relationships are universal. We are all on the path of the earth, as she seeks to find her way out of oppression and to flow, and to do so through us.

Earth is neither disprespected nor abandoned by those of her children who give themselves to her.

It is time to welcome all her children home. Only the cult of property stands in the way. Its dissolution is her claim on us. It is the claim we will learn to return.

She gives energy away, always. We must give it away, too.

We are not alone in this work.