The Snow Buckwheat Country:
All at Once
The Grass Country:
It’s not indigenous if it isn’t expressing the energies of the land.
The energies are there for all to read, all together or one at a time.
The Snow Buckwheat Country:
All at Once
The Grass Country:
It’s not indigenous if it isn’t expressing the energies of the land.
The energies are there for all to read, all together or one at a time.
It is a catastrophic summer in the Interior of British Columbia. Close to 15,000 people have been evacuated from their communities. Indigenous communities who refuse to leave are isolated. Read about the grim situation at Anaham here: http://vancouversun.com/news/local-news/first-nations-community-holds-on-as-fire-threatens The question of why these people have chosen to stay in the face of catastrophic fire, isolation and great danger can be answered only in troubling ways. They are, however, simple enough. The tsilqhot’in are this place of fire. There is no evacuation. A lot of this has to do with a century and a half of great cultural hurt, but there’s a positive story here as well. Perhaps this image from the height of this land, at the crest of the Yellowstone Plume, in the great caldera that is the heart of winter …
…and fire on this continent and which anchors our country, Cascadia, like the eye of a pool in one of her rivers displays something of the answer:
A pine rooting on the face of the cooled molten plume, from this post about my journey to the height of the land: https://okanaganokanogan.com/2015/09/28/cascadia-land-of-fire/
If we call these uncontrollable and violent fires “wild fires”, we are participating in the environmental destruction that has created them rather than in the solutions that will control them. Until then, they will remain gothic and destructive, like the nineteenth century creations that they are. At the moment, of course, we must protect our homes and our loved ones, with all the vigour we can bring to this terrifying and important work, but let’s do it in a way that leads directly to the future that must follow this catastrophe of environmental mismanagement. Let’s call these fires by their correct names. They are not wild. Fire lives in this plateau. Smoke, such as obscured Okanagan Lake below, is the natural form of summer here.
Through neglect to honour fire’s primary place, it has been called into violent incarnation by excess fuel. The explosive sage below, above my house, is a bomb waiting to explode, and it’s the creation of bad resource policy. It can be fixed. We will have to be doing this in the next few years.
To say these horrific fieres are wild, is to say that an abstract notion of fire is fire’s base state, and that fire that escapes the boundaries of the controls of intellectual understanding is “wild”. That’s insulting. In Cascadia, wild fire control began a bit more than a century ago, to protect the nationalized forests made out of depopulated native space for the benefit of industrial and recreational use. This management regime was a replacement for indigenous fire management, in land forcibly removed from indigenous control. The indigenous understanding was based on living within space. The replacement, modern civilization, declared the land wild and foreign to human consciousness. That was a lie. Fire remains far bigger than any human or any collection of humans. Perhaps the image below of when the grassland hill above my house burnt a few years back and the fire turned to life within a few weeks can illustrate the edges of the tsilqhot’in resistance to evacuation. Within a few weeks, this:
Nootka Rose Sprouting from Cooked Rock
Let’s bring the irresistible force of living and destructive and creative fire within our social group and develop strategies to tame it. It’s coming to us anyway, horrifically. Yes, let’s save our homes, our farms, our communities, our forests, and our lives with all the effort we can bring to it, but let’s then move on to build a society that recognizes that fire is the natural state of this place.The failure to create civilized, or artful, fire within organic environments such as grasslands and forests, except at moments of catastrophe when fire sweeps in waves across the land due to being ignored for too long and its potential disrespected, is also a created state, but not one of which we should in any way be proud. And I want to be proud of how we live with fire. This work can wait until the crisis is over, but we can start now in a small way, by throwing away that awful racist term: wild fire. The time for that was 160 years ago, two weeks ago, today, and tomorrow. Fire is here to stay. Let’s hope we are too.
B.C. Hydro, our provincial power provider, is a responsible citizen, and poisoned these invasive thistles last year.
It’s the regulation. One wants to protect cattle range from inedible weeds. The thistles responded by coming back tenfold.
They are doing well.
Perhaps we should all just accept that the glory days of ranching are over in these parts, which they are…
…and provide a home for the last remaining insects of the rich syilx grasslands (here on one of the few surviving native thistles) …
…that were here before the cattle ate everything else down to nothing. This looks like a good start, don’t you think?
We should do this out of respect.
The award-winning journalist Alex Migdal, this guy…
… knows, apparently his Google, and works for the Canadian Broadcasting Corporation, for whom he recently wrote this:
‘Huge amount’ of carbon in soil
Irrigation — the watering of land to prep it for agriculture — might not seem synonymous with climate change. But researchers at UBCO want to know how it affects the storage of carbon and nitrogen in soil.
This is a pure example of White privilege in the Canadian Indigenous context. Think of what he wrote there:
Irrigation [is] the watering of land to prep it for agriculture.
By Alex’s definition, a few things are important:
Not to mention this:
Irrigation might not seem synonymous with climate change …
but the way in which it is will be defined by researchers at the University of British Columbia Okanagan, who
want to know how it affects the storage of carbon and nitrogen in soil
… which is a cute game, because it suggests that…
6. Irrigation affects climate change due to its ability to change the rates of carbon sequestration by plants…
…with no mention of food, or that irrigation is synonymous with climate change in a far more profound way than aerial carbon dioxide is, especially in local systems, which includes the farms Alex has his sights on. It used to be that journalism asked hard questions. Here it is repeating an elite (university) position, in a kind of dance of courtiers reminiscent of the Court of Louis XVI. None of the assumptions above are true outside of the boundaries set by privileged class positions in society. But, Alex, who presumably, judging by the respect shown in his interview of a Tsawassen elder below, knows better…
… has nonetheless the privileged authority to define water, agriculture and the social relationships between them and land, as granted to him by his position within an elite cultural institution, the Canadian Broadcasting Corporation (perhaps as a series of powerful colonial forces within a medical or oil industry metaphor or perhaps just out of ignorance of water, plants, the earth or how any of it fits together, both inside or outside of Canadian colonial contexts). In the end of this display, only the privileged authority remains, and the earth, and her people, loses. More than that, a much-needed discussion about water, culture, ethics and power is off the table, because of the weight of the CBC, and nothing changes that must change. The people who are not of the earth also lose at this point, and the authority of the CBC is diminished.
That is simply not good enough.
Today, I’d like to show you some water in its living environment and some crazy water. First, living water:
That’s mock orange, doing its thing. Home to deer, porcupines, bears, lazuli buntings, people, American goldfinches, chickadees, finches, quail, crows, pheasants, fritillary butterflies, swallowtails, yellow-bellied marmots, meadow voles, coyotes, wolves, magpies, northern flickers and everyone else who still manages to survive on this ruined grassland. Now for some crazy water:
I showed you this image of the bear I spooked out of the mock orange the other day, but it bears (ha ha) repeating in this context, because that’s not a natural landscape it is walking through. It is, actually, something much like this:
Look at it again, if you please:
This is a ruin from a war over the land fought unevenly over the last 160 years between the valley’s syilx people and various industrial farmers. By 1871, the land was trashed by overgrazing born of ignorance. What you see here, a chokehold of big sage interspersed with invasive cheatgrass, both of them useless in these numbers for supporting complex nets of life, are replacements for a rich grassland that flowed with life through the year. The rich grassland was a creation of a partnership between the earth and the syilx. Its trashing was an act of aggression: ignorant, for the most part, but aggression nonetheless. Still, a small amount of life survives in the ruins: voles, and the coyotes, bears and hawks who hunt them, all dependent on the lighter-coloured plants you see above, the arrow-leafed balsam root, a kind of wild sunflower that has adapted to the ruins and is recolonizing them. That is a vision of hope: a ruin, sure, but hope nonetheless. Note how much water these flowers represent, and how much of it flows through a renewable web.
Below is some more water from the war. This is Chief Emmitt Liquatum of Yale in1881.
Photo: BC Archives.
Note the top hat, a symbol of power from the fur trade days (or at least of a ritual belief in power). It is a beaver turned to felt.
Beavers ensure a balanced distribution of water in dry country but were trapped and traded, often before the first European colonists showed up, for war surplus Napoleonic rifles, in an attempt to stave off genocide. It worked, but barely, and more because of the top hats and pre-Canadian relationships than the rifles. The image of Liquatam was taken shortly after the salmon fishing on the Fraser River, the main food source of his people for 6,000 years, was rendered illegal by the new Canadian government (of 1871 in these parts), to support White salmon fishermen on the coast. I have another image (a bit farther down), which shows the crazy water that comes from this nonsense. It is an image of the north end of 350-square-kilometre-135-kilometre-long Okanagan Lake in this year’s high water. It has been poisoned. This has come about in part because of those dead beavers and the industrial agriculture made possible by their absence, and the private, industrial property aesthetic that presumes prominence for industrial uses of water and land over health of water and land for people and all creatures, and a lack of run-off. All these workings-out of old errors and privatization is now showing itself in this form:
You are looking here at a toxic algal bloom on the Okanagan Indian Reserve at Head of the Lake — more specifically at the water off a recreational property leased by a band member to a White family. No-one wants to swim in industrial sludge, but that’s what this is. Here’s the story: http://www.cbc.ca/news/canada/british-columbia/algae-bloom-okanagan-lake-1.4178423. Here is, incredibly, what the story says:
The Okanagan Indian Band released a warning on Sunday to residents and visitors to stay out of the north arm of B.C.’s Okanagan Lake until further notice due to a toxic algae bloom.
The band says the bloom in waters off its land was first thought to be a sewage leak, but testing showed it was caused by a high level of organic material in the lake.
High temperatures over the weekend helped the algae flourish in a soupy mixture that the band says includes everything from burlap and sand debris to sewage, grass, leaves and dead animals.
They are being kind. Here’s some crazy water — in the old lake bed to the north of the lake by the looks of it but perhaps in the old lake bed to the east of the lake:
This is about privilege, even though it seems to be about work and economy and making a country. The thing is, before that country set the industrial terms for water use, water was a common good, shared by all. After 160 years of an uneasy balance between sharing and industrial water rights, filtering water through industrial crops before it flows into the lake, and the old syilx water system it represents, continues the original violence. There’s no way of covering that up, because ignorance is no longer an excuse. Sure, there appears to be a belief that if contaminated water is passed through soil, which is viewed as part of the de-indigenized cultural space called land, which has the other names of earth and nature, it will be again as pristine as the original White impression of indigenous/earth cultural creation in 1858, when all this began. That is crazy. First, because this so-called “nature” was a humanly-maintained cultural space, which gave the earth cultural autonomy, and secondly because the following image isn’t pristine:
It’s the lake bottom in the west arm of the lake, that’s what it is, just south of the algal bloom on Okanagan Indian Band shores which I showed you above, and right beside one of the Okanagan’s major swimming beaches, to which thousands of people come with their children every summer to enjoy what is, hopefully, “the good life,” and why not, family is really important. Here are some images of this arm of the lake…
So is the image of pristine water poisoned by industrialization below. It connects to beach culture, and the recreation use of Okanagan Indian Band lands, through a direct colonial desire to physically enjoy nature. In this case, it is through industrially-management of land, draining water down off the hills, to produce pumpkins for a European harvest festival. This work is done with a mixture of herbicides, fertilizers, cultivated weeds (the things are attempting to heal the soil, yet they are tilled under as they don’t fit the imposed industrial model) and water and sun managed by plastic, thrown away at the end of the season. This is an image from last year This year, this land is empty, except for a trial plot of genetically-modified canola under scientific trial. That the land was removed from life to produce this hyper-industrial product is, I’m sorry, in it context there’s no other word for it, an act of pure aggression and violence. That syilx water flows through it.
Okanagan Basin Water Board, are not absolved of blame just by saying good things.
Here’s their image of that:
It’s weird to have one’s valley turned into a cartoon, but note some important things: first, the 10,000-year-old lake of fossil water from the Ice Age is labelled “waste water”, and the river systems are labelled “municipal water” and “water supply” completes a cycle with “waste water.” That’s disrespectful of the bear I met the other day, the syilx, and anything else that comes from this land. In this conception, there is only urban infrastructure, based on colonial water use models. You can see the contrast between desert and lushness in the image of my city, Vernon, below:
This elite blindness is omnipresent and is a sign of ecological poverty. It comes from an intellectual culture that views, without question, this spring’s problems with water in the valley as problems of extreme high water. Seemingly, if the land had just soaked it up a bit better, like we were used to last year, it would not get nuts like this. Well, it’s not the first flood. Blaming water run-off on weather, when the land’s ability to use water or hold it has been removed, is intellectual nonsense. Worse, when a cause is given, it is global warming. Global warming is serious stuff, but this is the result of the abuse of human-earth water systems, based on an ignorant or dismissive rejection of syilx cultural values, people and knowledge, over anything else. To say otherwise is crazy. The history is very clear. I wish the craziness stopped there, but here’s some more crazy water, and once again it is crazy with the best of intentions and the worst of blissful ignorance and disrespect:
This is an image of vineyards, formerly the orchards of my youth, in Naramata, looking towards the southern shores of Okanagan Lake, where any muck from the north will eventually flow, before co out through the Okanagan River, in the middle distance of the image, and joining in that dredged, diked channel…
…with the outflow from the Penticton Waste Water treatment plant, before continuing south. It is the poster image of an article on a new water study being conducted at the University of British Columbia in Kelowna, at the approximate mid-point of the lake. http://www.cbc.ca/news/canada/british-columbia/could-soil-be-the-next-carbon-sink-ubc-okanagan-to-lead-study-1.4152301
The study, worth $1,400,000, is to determine some pretty useful stuff around the role irrigation water plays, including the rates at which dirt, in a hot climate, builds up carbon — not to protect the atmosphere from industrial pollution but to become soil, which is carbon=based life and dead life on which it feeds and which holds its water — under the effects of irrigation. The difference between the agricultural capacity of the soil before and after irrigation would be useful to know, especially since the early irrigated desert cultures of Mesopotamia poisoned their soils with the salt that comes from evaporation during irrigation and turned their gardens into deserts, which are now battlefields in hopeless and helpless wars, not to mention contemporary experience with the same issue in the American Southwest, in order to modify irrigation, but that’s not how the story is told. The media tells it like this:
“When we talk about climate change, we often discuss the concentration of carbon dioxide in the atmosphere. But actually a huge amount of carbon is stored in the soil,” Kirsten Hannam, a research associate on the project, told CBC’s Chris Walker on Daybreak South.
The buildup happens when carbon dioxide in the air is fixed by plants during photosynthesis and converted into leaves and roots. The carbon is deposited into the soil and accumulates over time.
That, unbelievably, is a description of life on earth: carbon, deposited and accumulating over time. How disrespectful. How obscene. But it’s not just the media. Here’s how the government sees it:
“These new investments are part of the government’s commitment to addressing climate change and ensuring our farmers are world leaders in the use and development of clean and sustainable technology and processes,” said
Lawrence MacAulay, minister of agriculture and agri-food in a statement.
Got that? The government is going to address global climate change by using scarce and incredibly precious water, already over-committed by overpopulation of humans, in the Okanagan Valley, and is selling this as a way for farmers to develop clean and sustainable processes. I think this means is that farmers will be using our water to sequester industry’s carbon, and will be paid to do that, instead of producing food, or learning to work with beavers, or respecting the syilx. Really, this has to stop. The spring has been rife with young Indigenous writers demanding that the violence stop, and calling out the White community on their sense of entitlement. Well, it’s not about statements of social inclusiveness. It’s about changing the story so that the story is a syilx, or a secweopemc, or a cree story, and that’s going to mean that the earth and her creatures, and non-industrialized, non-privatized water are going to have to be at the centre of law and ethics. Anything else is absolutely stark raving mad.
We either stand with the earth and her people or we shoot it in the temple. The problem is: we are her people. The solution, which is easy, is that we are of her water, and we need to go home.
I have learned this week what I already knew but had no words for. I am not the gardener in this land, but the garden that the land makes. Needle-and-thread grass makes me, with its sprays of delicate light in the wind and its way of drilling its seeds into the soil using the heating and cooling of days and nights. It is a beautiful plant that connects me to childhood and mystery. It also thrives in this dry climate.
In comparison, the weed-choked land, the gift of bad cattle management, and the orchard land it was developed into a little over a century ago, create different selves. I follow their paths, often unknowingly, and thus am created by them in their image. It is often an ugly image.
It replaces eternal ones, such as this doe and her year-old fawn, who watch me out of the last snow, in sagebrush that has turned weedy from overgrazing by cattle. There is little for them here now, but her gaze tends me, and make me in her image. I am gardened.
Many of the old orchards are weeds of mustard now. The idea of chopping the land into small spaces did not produce people with the ability to develop a culture other than to develop into the weeds that speak most clearly of the introduction of foreign crops in this ancient space. These weeds, and the people who buy and sell the land they grow on, are gardened not by the land and its water but by sets of laws imposed upon them.
But they are still gardened. To say that we, humans, have a garden is to say that we stand in the place of the earth and try to recreate that relationship to our own benefit. Here’s a glimpse into my garden this morning.
It, of course, also gardens me, if I let it. I do. I’m not the only one. A woman down the road has sown poppies in the cheatgrass and rescued a barren, scarred hill into a delight that can recreate the land for thousands.
We make ourselves by tending the land, so that it can tend to us. If we cover it with black plastic to kill that relationship, our children will grow up in a zone of death. It will take time, but it will come. That is not gardening.
This is gardening:
This is respect.
I left the garden today, and all its lettuces, kale, spinach and dill, and went up to the water, where the birches rise out of the cedars and the wild roses.
The ducks were feeding on the blue damselflies and shrimp as clear and white as clouds.
The water showed the directionality of the sun, the coloured space that was blue from one angle, green from another, and from another all gravity and tension.
To my ancestors, there were languages: the language of birch, the language of cedar and the language of water, and sometimes they joined together and then there was song, or consciousness. My ancestors began there in that offering.
Being together with these languages, at the point of their meeting, was like reading cloud or reading the sea room for the weather coming from the north.
I am learning this language again. Poetry was once the tool for speaking it in human form. I learned this art in an old age of the world from a man who had gone to the old ages of the north of the world to find it.
It still is this art. It still is this age of the world. It is still this old earth. It is still this new.
It should not, however, be confused with literature or “communication,” as beautiful as they are. It can be spoken of alongside beauty, if by beauty we mean balance or organic or earthly form.
Speaking it as a garden is not a confusion. From high lakes like this, water leaves the sky and enters the streams and pipes that take it to my red orach, my oregano and my egyptian onions. They drink this. I feed on this, and not just physically.
From high lakes like this, light leaves the sky and enters my garden, too, in a form fitting of these heights. As I am this land, I am this water. It is not, you can see, what is normally called human. Of course it isn’t. This is the old knowledge. It is not humanism. That is a beautiful but far different thing.
To my ancestors, the cupped hands, or the skull, were raised in thanks and blessing. Skold! they said. They didn’t mean the skull, but the bowl it made that held the mind. They didn’t mean the hands, but the bowl — the old world was scale, or Schale, as they said (and say) in German — that held, that was the power of holding, lifting up and offering and that created them through this offering or lifting up.
This is the holding up and the offering, this language of birch and cedar and water. This is where mind becomes.
This is the garden.
Please, forget carbon dioxide for just a minute, if you can. It’s a symptom, not a cause. There is worse.
Nature in Canada
This mule deer doe is trapped by fences on this hill. The collection of weeds (all introduced by cattle farming, except for the sagebrush, which has choked out the hillside, is also a result of cattle farming. This is an industrial ruin.
Nature in the Swiss Alps.
These alms in Unterwasser, in Alt Sankt Johann, feature a flock a sheep around the ruins of an old croft, a pasture water dam (centre of image) on an old creek (dry), and machine-hayed, state-subsidized farms on the beds of old forests. This is an industrial museum, used as a pharmaceutical to enable people who live in urban areas to survive as biological entities in artificial environments causing physical and emotional stress.
Nature in Zurich
This is an indigenous city. Here the celts became romans, adapted, and became better romans than the romans. After 2000 years of that, they raise their children in cages. This is a school playground.
In this context of adaptation, biological nature is an artform. You can find it at the graveyard across the street.
The Art of Death and Life
It’s an ancient celtic thing, that lives on. It’s called landscaping, because that’s the fashionable way to talk about it, learned from the roman britons of the 18th and 19th centuries: another group of indigenous people who romanticized nature to survive the brutality of states built as cages, and built new cultures out of it.
The wealth created by spreading these new aestheticized cultures around the planet, and living off of the conversion of other indigenous spaces into romanticized nature, or wilderness, has powered the global economy for a long time. We all live in the industrial ruins (corpses) these compromises have left behind.
Industrial Ruin on Vancouver Island
The ancient salmon forests and rain forests of the North East Pacific Coast are largely gone now. A few trees remain, but that’s it. Some of the oldest trees, however, ancient Nuxalk, Kwakwala, Haida, Nu-chah-nulth and Tlingit trees, for example, that grew huge in a shared ecosystem of humans, human shell middens, salmon and bears, litter the shores of British Columbia now, where they are called driftwood. They are not. They are ancient forests, chopped into logs, and torn by storm out of log booms. They were intended as houses, for immigrants in the United States and Canada, as well as structural timbers for Allied Aircraft, and so on. The indigenous people of this land were sacrificed, in other words, to create homes for people displaced elsewhere.
In an industrial culture, such views of industrial ruin are romantic and beautiful. In this case, they are called nature.This large stone on the shore of Discovery Passage, for example, is called, in the language of nature, a glacial erratic, and in romantic, colonial language, a grizzly bear that froze just as it touched the shore of Vancouver Island, and mythological evidence of why there are no grizzly bears on Vancouver Island. The tale was made up by a 19th Century missionary, along the lines of the Just So Stories of Rudyard Kipling. It is a part of a far older series of ancestral myths. Its attraction for artists of the industrial age is a testament to its ongoing power of attraction. For humans, this is a kind of industrial mirror.
Nature itself, a European concept, is a series of ancient indigenous forests (celtic), sublimated as principles of regrowth and renewal. It is what grows within industrial settings, returning them to the state of the Garden of Eden. In that regard, this colonized and industrialized foreshore is a Christian landscape, which is why it is so attractive to European cultures:
Ancient Kwakwala Clam Garden, Willow Point
This is also a Christian Landscape, this time above the Rhine at Sankt Goarshausen, in the celtic and roman heart of Europe. This is a catholic landscape, from a time in which the Catholic church was a political and industrial institution, when it was, in fact, an adaptation of an indigenous culture (rome) to an invasion and takeover by its own slaves. The resulting new rome was catholic. It produced images of itself, just as contemporary Canada produces images of its colonial processes along its own shores.
Wilderness in Sankt Goarshausen
These vineyards, and tens of thousands of steep hectares just like them, were farmed by hand two centuries ago, and even one, to create wine, which was marketted to dirty, industrial cities as a healthful, peasant alternative to industrial illnesses, containing simultaneously the power of the land, the power of simple people who rose from the land, and the hierarchal and imposed power of the church and God, who brought the power of the sun, and diefied power, into the grapes through the action of human hands subjugated to industry and piety. In its time, it was a beautiful compromise, creating a beautiful culture. It is all gone. Modern industrialization of wine land has created a price structure that cannot support hand labour. This spiritual industrialization is now a ruin and, unsurprisingly, the churches are empty.
Wilderness in British Columbia’s Okanagan Valley
Another name for this form of industrial ruin, or nature, is White Privilege. This is a landscape that became racialized in 1858 and which continues along the process of racialization. In the centre of the image above is Siya?, one of the four food chiefs of syilx culture. Everything else is a series of feral European weeds. In other words, Siya?, and the valley’s earth-based culture, live marginally within the unintentional consequences of racial abuse, dehumanization, and the separation of culture and landscape. But perhaps I am being unfair. Here, have another look:
Wild Rose in a White Landscape
In a Canadian context, she is called a weed, while the real weeds are called “grassland” and “nature.” That’s how far we’ve come.
What is the Canadian vision today in British Columbia’s Okanagan Valley?
White Privilege: The View Over Indigenous Space
This is the outdoor, garden space of a home for Canadians retired from the petroleum industry to the East. It looks out over The Commonage, an indigenous pasture land that has been under land claim since 1895. This “house”, or viewing platform over a regime of power, will cost about a million bucks once the dust has settled.
You are looking at echoes of European architecture, filtered through the indigenous slavery cultures of the colonial American Southwest, and built out of machine-chipped wood, which is called “added value.” Bricks and European or Arizona-style adobe and plaster will be laid over these faux pillars and arches, to give the illusion of old world comfort and aristocracy. It is, however, only illusion. Not only will it not last, but it comes at a price that only people of White, industrial privilege can afford. Well, not quite.
You can, if you like, buy a town home and live on the edge of the privilege of your oil-wealthy neighbours up above, with a view over an industrial orchard. This too is called nature. This home is built on 5 metres of infilled gravel, into which 50 cm-thick (approximate) concrete footings were poured at -20C in the middle of the winter. Notice how the spring rains are wearing away the foundation. Expect the walls to settle.
Meanwhile, in Europe, nature becomes a gesture.
Rüdesheim am Rhein
Palm trees in the old Catholic wine-making town at the entrance to the Rhine Gorge.
The tourists are growing old now. They walked five years ago. Now they are hauled around in diesel “trains”, which clear all pedestrians out of the streets. This is wine culture today: not wine culture at all. These people are not buying wine. They are buying a tour of a museum town. What is on show is indigenous culture, through the filter of the compromises it has had to make over time to survive. This way people have of surviving in cages can be quite beautiful to people who live in cages.
Here’s the Okanagan Valley equivalent.
Indigenous Food and Medicine Crop in the Ruins
aka Arrow-Leafed Balsam Root in the cheat grass.
Most often, though, it just looks like this:
Or this: In White language, this landscape is called a desert, a term which increases its attractiveness and value (hence those American Southern indigenous-slave-culture architectural forms promising aristocratic ease), but it isn’t. The wheat grasses below (also an introduced weed but intended to replace the original grassland for grazing purposes), show just how much the land isn’t a desert. This grass is growing immediately beside the dead cheatgrass above.
Not a Desert!
“Desert” is a White term here.
So, please, forget carbon dioxide as a cause of global warming for just a moment and hang out with your mule deer sister. Look how afraid she is, racing through the weeds and a few indigenous plants that, like her, are surviving in this cage, and on which she grazes.
Carbon Dioxide is not a cause. It is a symptom. The cause is “Nature”. “Nature” is a racial term. The abuse it causes is the cause of Global Warming. It is a ruin. It has many forms. Similarly, the salsify (French) below along the old (Earl) Gray Canal Trail (British) in the old Syilx Illahie, is not a cause of ecosystem degradation but a symptom, and the source of new beauty.
This post-apocalyptic view, too. The regrowth here takes on special poignancy against the background of failed industrialization and rust.
This failed industrialization and adoration of death, shows up in the backyard image below: plastic chairs model after handcrafts from the American East, in the ruins of a Japanese orchard converted to gardening space int he 1970s, converted now to a lamp of bones over a new-age bowl of magical crystals, with partially-emptied jugs of home-made wine, with ground cloth and gravel to keep the old syilx land from growing through and creating the need for hand labour.
Death has been internalized. It is all powerful and we attempt to survive biologically within its grip. Global Warming is a logical consequence. Industrialization is not the cause. De-indigenization is.
Maybe we should stop copying the cultural appropriation of old celtic technology, eh, and get real.
Pesticides, Vineyards and Tourists on the Rhine
Sometimes it’s hard to keep laughing.
Just a thought.
In Zurich, this is nature. A sobering thought.
Or, rather, it is a school sports field. Note the tree. It is placed where there is room. Note as well the aesthetic, architectural arrangement of elements. There is a human world in which nature is an architectural element. What the earth is, well, that’s another matter.