One image three times…
… that’s the way it is on this planet. That’s the way it is.
One image three times…
… that’s the way it is on this planet. That’s the way it is.
Today, I’d like to show you some water in its living environment and some crazy water. First, living water:
That’s mock orange, doing its thing. Home to deer, porcupines, bears, lazuli buntings, people, American goldfinches, chickadees, finches, quail, crows, pheasants, fritillary butterflies, swallowtails, yellow-bellied marmots, meadow voles, coyotes, wolves, magpies, northern flickers and everyone else who still manages to survive on this ruined grassland. Now for some crazy water:
I showed you this image of the bear I spooked out of the mock orange the other day, but it bears (ha ha) repeating in this context, because that’s not a natural landscape it is walking through. It is, actually, something much like this:
Look at it again, if you please:
This is a ruin from a war over the land fought unevenly over the last 160 years between the valley’s syilx people and various industrial farmers. By 1871, the land was trashed by overgrazing born of ignorance. What you see here, a chokehold of big sage interspersed with invasive cheatgrass, both of them useless in these numbers for supporting complex nets of life, are replacements for a rich grassland that flowed with life through the year. The rich grassland was a creation of a partnership between the earth and the syilx. Its trashing was an act of aggression: ignorant, for the most part, but aggression nonetheless. Still, a small amount of life survives in the ruins: voles, and the coyotes, bears and hawks who hunt them, all dependent on the lighter-coloured plants you see above, the arrow-leafed balsam root, a kind of wild sunflower that has adapted to the ruins and is recolonizing them. That is a vision of hope: a ruin, sure, but hope nonetheless. Note how much water these flowers represent, and how much of it flows through a renewable web.
Below is some more water from the war. This is Chief Emmitt Liquatum of Yale in1881.
Photo: BC Archives.
Note the top hat, a symbol of power from the fur trade days (or at least of a ritual belief in power). It is a beaver turned to felt.
Beavers ensure a balanced distribution of water in dry country but were trapped and traded, often before the first European colonists showed up, for war surplus Napoleonic rifles, in an attempt to stave off genocide. It worked, but barely, and more because of the top hats and pre-Canadian relationships than the rifles. The image of Liquatam was taken shortly after the salmon fishing on the Fraser River, the main food source of his people for 6,000 years, was rendered illegal by the new Canadian government (of 1871 in these parts), to support White salmon fishermen on the coast. I have another image (a bit farther down), which shows the crazy water that comes from this nonsense. It is an image of the north end of 350-square-kilometre-135-kilometre-long Okanagan Lake in this year’s high water. It has been poisoned. This has come about in part because of those dead beavers and the industrial agriculture made possible by their absence, and the private, industrial property aesthetic that presumes prominence for industrial uses of water and land over health of water and land for people and all creatures, and a lack of run-off. All these workings-out of old errors and privatization is now showing itself in this form:
You are looking here at a toxic algal bloom on the Okanagan Indian Reserve at Head of the Lake — more specifically at the water off a recreational property leased by a band member to a White family. No-one wants to swim in industrial sludge, but that’s what this is. Here’s the story: http://www.cbc.ca/news/canada/british-columbia/algae-bloom-okanagan-lake-1.4178423. Here is, incredibly, what the story says:
The Okanagan Indian Band released a warning on Sunday to residents and visitors to stay out of the north arm of B.C.’s Okanagan Lake until further notice due to a toxic algae bloom.
The band says the bloom in waters off its land was first thought to be a sewage leak, but testing showed it was caused by a high level of organic material in the lake.
High temperatures over the weekend helped the algae flourish in a soupy mixture that the band says includes everything from burlap and sand debris to sewage, grass, leaves and dead animals.
They are being kind. Here’s some crazy water — in the old lake bed to the north of the lake by the looks of it but perhaps in the old lake bed to the east of the lake:
This is about privilege, even though it seems to be about work and economy and making a country. The thing is, before that country set the industrial terms for water use, water was a common good, shared by all. After 160 years of an uneasy balance between sharing and industrial water rights, filtering water through industrial crops before it flows into the lake, and the old syilx water system it represents, continues the original violence. There’s no way of covering that up, because ignorance is no longer an excuse. Sure, there appears to be a belief that if contaminated water is passed through soil, which is viewed as part of the de-indigenized cultural space called land, which has the other names of earth and nature, it will be again as pristine as the original White impression of indigenous/earth cultural creation in 1858, when all this began. That is crazy. First, because this so-called “nature” was a humanly-maintained cultural space, which gave the earth cultural autonomy, and secondly because the following image isn’t pristine:
It’s the lake bottom in the west arm of the lake, that’s what it is, just south of the algal bloom on Okanagan Indian Band shores which I showed you above, and right beside one of the Okanagan’s major swimming beaches, to which thousands of people come with their children every summer to enjoy what is, hopefully, “the good life,” and why not, family is really important. Here are some images of this arm of the lake…
So is the image of pristine water poisoned by industrialization below. It connects to beach culture, and the recreation use of Okanagan Indian Band lands, through a direct colonial desire to physically enjoy nature. In this case, it is through industrially-management of land, draining water down off the hills, to produce pumpkins for a European harvest festival. This work is done with a mixture of herbicides, fertilizers, cultivated weeds (the things are attempting to heal the soil, yet they are tilled under as they don’t fit the imposed industrial model) and water and sun managed by plastic, thrown away at the end of the season. This is an image from last year This year, this land is empty, except for a trial plot of genetically-modified canola under scientific trial. That the land was removed from life to produce this hyper-industrial product is, I’m sorry, in it context there’s no other word for it, an act of pure aggression and violence. That syilx water flows through it.
Okanagan Basin Water Board, are not absolved of blame just by saying good things.
Here’s their image of that:
It’s weird to have one’s valley turned into a cartoon, but note some important things: first, the 10,000-year-old lake of fossil water from the Ice Age is labelled “waste water”, and the river systems are labelled “municipal water” and “water supply” completes a cycle with “waste water.” That’s disrespectful of the bear I met the other day, the syilx, and anything else that comes from this land. In this conception, there is only urban infrastructure, based on colonial water use models. You can see the contrast between desert and lushness in the image of my city, Vernon, below:
This elite blindness is omnipresent and is a sign of ecological poverty. It comes from an intellectual culture that views, without question, this spring’s problems with water in the valley as problems of extreme high water. Seemingly, if the land had just soaked it up a bit better, like we were used to last year, it would not get nuts like this. Well, it’s not the first flood. Blaming water run-off on weather, when the land’s ability to use water or hold it has been removed, is intellectual nonsense. Worse, when a cause is given, it is global warming. Global warming is serious stuff, but this is the result of the abuse of human-earth water systems, based on an ignorant or dismissive rejection of syilx cultural values, people and knowledge, over anything else. To say otherwise is crazy. The history is very clear. I wish the craziness stopped there, but here’s some more crazy water, and once again it is crazy with the best of intentions and the worst of blissful ignorance and disrespect:
This is an image of vineyards, formerly the orchards of my youth, in Naramata, looking towards the southern shores of Okanagan Lake, where any muck from the north will eventually flow, before co out through the Okanagan River, in the middle distance of the image, and joining in that dredged, diked channel…
…with the outflow from the Penticton Waste Water treatment plant, before continuing south. It is the poster image of an article on a new water study being conducted at the University of British Columbia in Kelowna, at the approximate mid-point of the lake. http://www.cbc.ca/news/canada/british-columbia/could-soil-be-the-next-carbon-sink-ubc-okanagan-to-lead-study-1.4152301
The study, worth $1,400,000, is to determine some pretty useful stuff around the role irrigation water plays, including the rates at which dirt, in a hot climate, builds up carbon — not to protect the atmosphere from industrial pollution but to become soil, which is carbon=based life and dead life on which it feeds and which holds its water — under the effects of irrigation. The difference between the agricultural capacity of the soil before and after irrigation would be useful to know, especially since the early irrigated desert cultures of Mesopotamia poisoned their soils with the salt that comes from evaporation during irrigation and turned their gardens into deserts, which are now battlefields in hopeless and helpless wars, not to mention contemporary experience with the same issue in the American Southwest, in order to modify irrigation, but that’s not how the story is told. The media tells it like this:
“When we talk about climate change, we often discuss the concentration of carbon dioxide in the atmosphere. But actually a huge amount of carbon is stored in the soil,” Kirsten Hannam, a research associate on the project, told CBC’s Chris Walker on Daybreak South.
The buildup happens when carbon dioxide in the air is fixed by plants during photosynthesis and converted into leaves and roots. The carbon is deposited into the soil and accumulates over time.
That, unbelievably, is a description of life on earth: carbon, deposited and accumulating over time. How disrespectful. How obscene. But it’s not just the media. Here’s how the government sees it:
“These new investments are part of the government’s commitment to addressing climate change and ensuring our farmers are world leaders in the use and development of clean and sustainable technology and processes,” said
Lawrence MacAulay, minister of agriculture and agri-food in a statement.
Got that? The government is going to address global climate change by using scarce and incredibly precious water, already over-committed by overpopulation of humans, in the Okanagan Valley, and is selling this as a way for farmers to develop clean and sustainable processes. I think this means is that farmers will be using our water to sequester industry’s carbon, and will be paid to do that, instead of producing food, or learning to work with beavers, or respecting the syilx. Really, this has to stop. The spring has been rife with young Indigenous writers demanding that the violence stop, and calling out the White community on their sense of entitlement. Well, it’s not about statements of social inclusiveness. It’s about changing the story so that the story is a syilx, or a secweopemc, or a cree story, and that’s going to mean that the earth and her creatures, and non-industrialized, non-privatized water are going to have to be at the centre of law and ethics. Anything else is absolutely stark raving mad.
We either stand with the earth and her people or we shoot it in the temple. The problem is: we are her people. The solution, which is easy, is that we are of her water, and we need to go home.
Water + Carbon + Air + Sun, tensed like a bow against the wind, waiting to be knocked loose by the deer of the sky.
Water + Carbon + Air + Sun, lying like wind on the face of the water.
Water + Carbon + Air + Sun, waiting to be carried on the face of the wind.
Water + Carbon + Air + Sun, aka Poplar Cotton, catching in splashing waves of green.
Out of a few simple elements, untold complexity and immeasurable delight. The word for that? Why, life.
We are the children of the sun.
I left the garden today, and all its lettuces, kale, spinach and dill, and went up to the water, where the birches rise out of the cedars and the wild roses.
The ducks were feeding on the blue damselflies and shrimp as clear and white as clouds.
The water showed the directionality of the sun, the coloured space that was blue from one angle, green from another, and from another all gravity and tension.
To my ancestors, there were languages: the language of birch, the language of cedar and the language of water, and sometimes they joined together and then there was song, or consciousness. My ancestors began there in that offering.
Being together with these languages, at the point of their meeting, was like reading cloud or reading the sea room for the weather coming from the north.
I am learning this language again. Poetry was once the tool for speaking it in human form. I learned this art in an old age of the world from a man who had gone to the old ages of the north of the world to find it.
It still is this art. It still is this age of the world. It is still this old earth. It is still this new.
It should not, however, be confused with literature or “communication,” as beautiful as they are. It can be spoken of alongside beauty, if by beauty we mean balance or organic or earthly form.
Speaking it as a garden is not a confusion. From high lakes like this, water leaves the sky and enters the streams and pipes that take it to my red orach, my oregano and my egyptian onions. They drink this. I feed on this, and not just physically.
From high lakes like this, light leaves the sky and enters my garden, too, in a form fitting of these heights. As I am this land, I am this water. It is not, you can see, what is normally called human. Of course it isn’t. This is the old knowledge. It is not humanism. That is a beautiful but far different thing.
To my ancestors, the cupped hands, or the skull, were raised in thanks and blessing. Skold! they said. They didn’t mean the skull, but the bowl it made that held the mind. They didn’t mean the hands, but the bowl — the old world was scale, or Schale, as they said (and say) in German — that held, that was the power of holding, lifting up and offering and that created them through this offering or lifting up.
This is the holding up and the offering, this language of birch and cedar and water. This is where mind becomes.
This is the garden.
When a breeze shifts the old cat tail stalks, the energy skin on the water kinks, again and again. Water remembers each kink.
Then the greater memory kicks in and the energy is reabsorbed. Effectively, it is reabsorbed into past time. Yes, this is a photo of time travel, similar to looking back to the Big Bang.
Look how the entire mountain ridge across the valley is caught in the newest water kinks.
Clouds are water vapour held up by air, and are named after clods, or lumps of earth.
Ice floes are clods of ice held up by water. But in the world of light, which surely is a world, they are the same. There is a mystery there, as yet unravelled.
Western culture was working at it, until the guns of Verdun. We shouldn’t have given in.
These drainage waves were formed 10,000 years ago when a lake as large as a sea filling the valley below my house drained in half a day. They are still catching sun and water, in the forms of heat and cold..
In other words, the lake is still alive. It only seems so long ago because of our individual life times and generational change… but it’s still that moment long ago. Wondrous!
Ice freezes in flat sheets down on the old fjord lake. A few days later, it is broken up by the wind, in angular chunks, as the repeated rising and falling, linear energy of the waves is translated into long, linear pressure fractures.
Still waves, right? Then water rises through the angular cracks and contours them most beautifully.
And so the waves become rivers and islands. This is an estuary landscape! When it dissolves, as estuaries do, there will be open water again.
But please first register that it’s alive (and often with birds).
This is the comet formerly known as Okanagan Lake.
Note: these are colour images shot into the intersection of the sun with this being.
I mean, hey, look at Okanagan Lake with its tinkling shore of ice, eh.
It’s a hill.