Photographic Punk: Another Look at the Urban Okanagan

Yesterday, I shared a vision for my city, Vernon, in the North Okanagan, based around the notion of steampunk, an art form usually praised for funky flea market jewelry made from recycled watches, and novels with computers, dragons, and zeppelins all flying around together having great, low-tech adventures. I see this exciting new way of considering urban space to have the capacity to unite communities into common vision (because it is already universal) and to provide as well clear terms for creating healthy interfaces with the earth, using terms rooted in young, popular culture, where any future will be created. While I work out some more detailed principles, I’d like to leave you with a thought. It’s about photography. These are all images of humans. What you will see as you scroll down are (bear with me here) four humans. Have a look at the beautiful creatures…

zone Human #1

A steampunk creation of brick, asphalt, a power pole, paper for recycling, a glass window,  a magnificent art work of natural gas piping, and some handsome sturdy posts, as part of the human-automobile war. This human lives in an alley between the Vernon Art Gallery & Civic Parkade and a discount clearance outlet selling anything and everything in no particular order.

We’re working on the primary sculptural principle that sculptures are representations of the space of a human body in time, but those are big words for something that photography has made simple. Here’s our second human:

planter2Human #2

Empty flower planter and dry fountain at the Vernon Museum & Archives. Budgets are tight. Flowers and water appear to be the first thing to go. Even though dry, though, the human still appears to be doing well.

It is one of the principles of photography that everything it captures takes on significance. It is an industrial, machine process so perfectly pitched to human consciousness that it fools us every time. It is, in other words, a form of sculpture. More on that in a second, but first, human #3…

lter Human #3

Recycling waste cowering for shelter around a sturdy pole, becomes, when meshed with a muralized wall, a human, bravely facing the future, although with a certain amount of unease.

It was Mary Shelley who first created the steampunk world, right when photography was invented. Her creation, Frankenstein, was a novel cobbled together out of experiences, ghost stories, and folk tales. It’s star, Frankenstein’s monster, was cobbled together out of dead body parts, reignited by a spark of electricity, and wanting a life of its own: pure steam punk! Also, pure photography. Here’s Human #4.

magicalwindows

Human #4

A particularly bright-eyed specimen, with very intriguing body alterations and decorations. A splendid example of steampunk. Backside of the Royal Canadian Legion.

Now, one might wish to call these humans “robots”, but I’d prefer that we called them images of contemporary Vernon citizens. I think they’re beautiful, and can be brought together with the other, fleshier humans, who live amongst them, to create a new language.  I am intrigued by how photography, which in a way (through its industrial nature) led society down the path towards being divorced from the earth, can now lead us back by helping us to see where its effects sit within our cities. I think these photographs are sculptures. I think Vernon itself is one giant spiritual photograph, one that is dynamically alive, as here in the one functioning civic fountain …

splish Notice the Clock!

Photography traditionally achieved its effects of aestheticizing the world through the addition of time: a photograph of anything 100 years old is automatically art. It’s a fascinating effect. Now, though, we have the Vernon Post Office …womantreeclose

A Woman’s Tree Fear

… the effects are immediate, and time has saturated all aspects of the urban environment. See how I got to steampunk? All those lockets and earrings made from old watch gears, and all those thousands of people streaming around to garage sales on Saturday, are all playing an interesting aesthetic game with time. The tree above is not, and that’s what’s interesting. This difference means that there is great latent power within this aesthetic, and I’d like to accept the challenge of trying to find words for it and to bring it to healthy life. I’ll leave you with one more thought, while I think further on this. Here’s the local farmer’s market …

sweetandsavoury Tents, Cars and People in a Parking Lot

One part of future economic health. 

And here’s another…

acupofteaA Pot of Tea (or, a Farm of the Future, or Human #5)

Back Alley in Vernon, with muffler, pineapple weed, and a used coffee cup. In the steampunk world, which adds articles together to create temples of time, nature is trying to get into the picture. The steampunk image is currently looking to the past, and to a very dirty industrial one, too. The plants are pushing the image into, what… life punk?

Let’s follow it!

Next: I hope to have some clear terms for this form of art and future making.

British Columbia Election: of Zombies and Skeletons

Since 1990, the budget and staff of the Environmental Ministry of the British Columbia Government has been reduced by something like 92%. As a result, no one is there to deal with the zombies.

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Skeleton Weed (Foreground). Pure Zombie.

These shoots of concentrated evil are present in 2 areas of the Okanagan: north of town, and up the hill from my house. Both are in the City of Vernon. The zombies have been here for less than a decade. They can be stopped. Someone has to do the real work.

The civic government is planning a sports field, one penny at a time. The provincial government has no time, energy, desire, funds or personnel to deal with the death of its rangelands, or any other part of its environment. Meanwhile, we are in the midst of a provincial election that exists on TV only, as such performances usually do. Out in the world, as a result, it’s rather a skeleton election: one party got us into this mess, another also got us into this mess, another has offered a candidate from a city 6 hours away, who has not even come here to pull a single weed, and then there’s a guy who says, “Vote for the other guy.” And he’s the “Independent!” Sheesh. Meanwhile, I vote, like this:

P1610594Skeleton Weed Meets Its Match

One zombie at a time.

P1610601Tally for today: 253. That’s 530 year to date.

 

 

Highways: Green Space

I know it’s counterintuitive, but look…P1610018… and here the ants are lending a hand …

P1610417… and here a beekeeper, selling propolis and royal jelly and all kinds of super live-till-you’re-120 health products in beautifully packaged little jars and squeeze tubes, and mead too, flavoured with blueberries and apricots, mmm, and, heck, everything all healthful and good …

P1610404… is trying to stop the future by applying a good whack of 2-4D to his crumbling driveway. The dandelions are suffering, but they wont die, and the road is not saved. Its time is over. The rest of the road is going the same way.

P1610061Crack Sealing

Buying time for a dead road.

The money to repair this infrastructure may not come again. If it does, it won’t last for long. 10 years after that, we will be dealing with roads that are completely falling apart. It’s time to develop the technology now, so we’re ready…

P1610313Wireweed, Pineapple Weed, Cheat Grass, and Wild Lettuce

Showing us the way to green urban space, and food for all. Either we eat this stuff or weed kill it for no reason other than some attempt at control.

Here are 3 principles. 1. We are not in control. 2. Choose life, always. With those in mind, we’ll get along just fine. By choosing life, we are choosing not to be in control, but by choosing it in advance, then we are on its side, rather than against it. That’s a form of control — controlling us. 3. If we don’t choose life, we are the problem. If we choose it, we are the solution.

 

 

 

 

The Creative Economy and a Living Earth

Here’s how the earth came to be alive up on the hill.

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Spider Making the Most of Invasive Knapweed

Here’s how the earth came to be dying up the hill. An investment company hoping to transform a section of living earth into a piece of “land” which could be sold socially blasts it to bits to make roads and building lots. Now that a rare remaining grassland was a part of social life and no longer a part of the living earth (it was now “land”), the company could sell it as a cost to society. To make this cost as large as possible, a vineyard was planted. Its presence made the earth around the development seem like a piece of Provence (a social image) and the “land” seem like a piece of New Mexico (a social image of a hot place). These attractive social ideas were incorporated into the architectural and landscaping plans of the development. They had the potential to increase the land’s cost to society, which would then be private profit for the developers. For complex reasons to do with global economic factors, a collapsed real estate market, and so on, the development went bankrupt. At that point, the final phases of the vineyard development were abandoned, although the sagebrush and native plants had already been scraped off of them and piled up to the side. In other words, it had already been transformed from life into “land”. At this point in the development of a piece of living earth into a monetary engine, the project’s capital investment was written off, and the developers moved on, free of encumbrances. Well, almost. They left behind a life-debt, from the earth’s perspective, and a creative debt. Here’s what the creative debt looks like:

P1600827 Bamboo Stakes, Rotting Away

These stakes were likely harvested in China and bundled and shipped at great expense. As this creative input and the life-debt behind it was never put to use to help raise young grape vines (by saving on labour costs — another social cost contributing to greater profit for the development company) it was ultimately wasted. Instead of leading to social life, as a substitute for original earth-life (which would have preserved and expanded the creative capacity within them), these stakes became only capitalized objects, discarded as easily as the capital debt. Unlike the debt washed clean by the bankruptcy process, however, this debt remains. Here’s some more of it…

P1600821

Vineyard Infrastructure … Mostly Ruined Now

Strangely, the laws around private property are so strong that the banking companies left with the abandoned project never sold off this material (while it was still useful) so that the creative input that went into it could be used, to help clear its life-debt. Instead, it was treated like the capital that invested in it. Capital, though, is a social concept. The earth’s debts are not so easily erased. There is, however, a way to do it, that gives some hope for the future. For one thing, the wire still holds its creative potential. In the bank of creative potential, it still has a positive balance in its account.

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The rest of the story is what is happening around that stack of wire. Here’s a closer look …

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Yes, humans are messy, and this form of economic organization is messy, but that’s not the point. Look more closely …

P1600832

Yellow Clover!

You see that? The “land” creation process made a desert of blasted bedrock, yet life is establishing itself there. Not social life. Not human life. Not the original grassland. Not a vineyard. But life. New life. With new goals. In this case, the great debt this “development”  created within the living earth can be partially erased by observing that in what is supposed to be “Provence” and “New Mexico” and “hot” and a “desert”, new crops are showing up, capable of living on dead land without irrigation or soil and making it alive. The creative potential of the bamboo has been wasted.

P1600825

The removal of the slopes from the earth to create a vineyard to increase property costs was a waste. The death of the land and its now-rare grassland was a waste. All of these wastes are debts. Nonetheless, the earth can be returned to this place, and it can be alive again, with the input of human creative energy. In other words, by giving human social energy to the earth (rather than using the alienation of a living earth to create social debt which can then be turned into private profit), humans can help the earth give them a creative profit: a living development, with an economy of life stronger than the life that was here before, and a social life in tune with the earth. There can, one day, be profit here again, but it will be in the life created out of developing human error and transforming “land” back into living earth, complete with new crops, new reclamation strategies, new systems of earth-based economics, and new lifestyles. It is too late to go back. We can, however, go forward with hope. If we chose not to, we are choosing death…

P1600646 Death

Transformation of a Living Earth of 1000s of species and great water efficiency into “Water Smart” Rock Landscaping and invasive knapweed and a few strands of cheatgrass, and nothing else.

…instead of life …

P1600627 Life: Beautiful Natural Grasses (Foreground)

Doing a better job of aesthetic gardening than the “Provençal” plants in the back.

I mean, look at the beautiful colour of this stuff…P1600625Lavender looks no better, but this stuff can grow here without water, and can host insect worlds. Of course, even the knapweed, for all its sinister, hellish qualities, does a better job of that than lavender…

P1600605

Crab Spider, Nicely Camouflaged

Let’s work with the earth. Let’s live.

The Future Economy is Here

On Friday (click), I mentioned that the future is here. Now. Not tomorrow. Not on the second Tuesday after the signing of the Keystone Pipeline Accord. Right now. Look up. There it is!  It is just a matter of learning to see it. Here, this is what it looks like, in case it’s night or your window has curtains…

P1600207

Lambs Quarters in the Spring Sun

In a world of monocultural agriculture, in urban configurations that include huge amounts of waste space, and in which most space is not productive of life, the earth sends forth lambs quarters to heal the soil. To capitalist agricultural traditions, this is called a weed and is actively suppressed. So is the economy that it supports.

It is amazing. Wherever the soil is removed from life, which is a complex series of mutually-supportive relationships unfolding in time (an economy, if I’ve ever heard of one), lambs quarters and other colonizing plants sprout, to begin the process of regeneration. That’s our clue to regenerating our economies. We just need to look. If we look, we might see lambs quarters showing us the precise place in the living earth where true profit can be made and true healing can begin, with beautiful lambs quarters salads and cooked dishes to replace spinach and all its cello-packed long-distance trucking hydrocarbons. Healthy for the soil, healthy for local economies, healthy for the atmosphere, healthy for farmers, and healthy for our bodies. Take a look at this dry hill…

P1590987

Lambs’ Quarters and Its Buddy Wild Lettuce Doing Their Magic

The soil is dust at this time of the year, but they are deeply rooted and thrive on natural water. No water infrastructure required. Got that? No tax burden. No capital costs.

And if we look around, we might see another wet season crop finishing up at the beginning of the dry season:

P1600555

Desert Parsley

This is the plant that kept the Syilx alive on this land for eight thousand years of spring hunger. This is the one they burned the grasslands for, to keep the cycle of renewal in a youthful, productive phase.

Do you see? Once the land has been let go for a few years, it starts to look like this:

P1600311

Sagebrush Getting Out of Hand…

… but the balsam root (a food crop) still doing well. Mind you, only a few crops are thriving here. 

Up close, that sage really looks like this …

P1600350

Sagebrush

A monocultural desert.

That’s why succession agricultural is the way to go: as the first colonizers are replaced by food plants, which are replaced by woody plants providing shelter and food for winter birds, the full richness of what the land can provide is spread over time — about 15 years of it. After that, it’s time for renewal — not plowing, just clearing away, and then …

P1600242

… the desert parsley will be doing more than hanging on. This is a form of agriculture that creates a living economy. Rather than future potential being stored in capitalized mutual funds or in heavily indebted water systems or in monetary objects of various kinds, they are stored in the future creative potential of the land. Human creative potential is directed towards ensuring the health of those investments. Instead of investing for the present, and passing the debt on to our children, we invest in the future and pass the profits on to our children. In this respect, monocultures like this …

P1600287

Dwarf Royal Gala Apple Walls

… are also forms of economic organization. In this case, heavy capitalization. This 20 acre orchard likely has a capitalization of four million dollars, and a return on investment of approximately zero. It is, in other words, an economic system that doesn’t work in any practical sense. What you see in the above image is the creative potential of the wild earth to produce life (a complex system of inter-related relationships) reduced to a small number of species, including grass, dandelions, mallow and a few other wild plants trying to heal the soil, and dwarf apple trees. The idea is that by concentrating all of the creative potential of the land into one product, it can be produced in abundance, and the difference between a complex living system, in which the life energy here were shared with many species, and this model, in which only one species (humans) benefits, the investor (the farmer) can use the excess as profit, and turn it into money (a social relationship.) The next year, the land can produce the same wealth again. Well, that system is broken. The only profit being taken here is by the capital systems (banks, chemical companies, post companies, trucking companies, packing companies, supermarkets, and so on), leaving the farmer, the land, and all the hungry people and animals unserved. Here’s where the profit goes …

P1600732

Farmer Spraying Poison to Thin His Apple Trees

When I was a young man, we did this work by hand. It was a major source of employment. In order to keep food cheap, it is now done by poison and, logically enough, thousands of people in this community go to the food bank to try to keep from starving. The farmer is using a canister spray mask c. 1970, a pair of gloves, an old shirt and a turban as protective gear. Good luck on that.

You see how that works? In a fully-capitalized form of agriculture, fully-privatized and removed from community (employment), profit must be extracted by reducing social costs (which were once the profit), rather than merely reducing competition for life energy. Humans with no access to the life energy now have to pay for it. Well, it doesn’t have to be so. The land is shouting the future to us:

P1600443

1 Hour Before Spraying

Ignore the apple blossoms. They’re not the future. They’re just debt. The future is the dandelions growing between the rows. In the current model, they are mowed down to prevent soil erosion.

That’s how to see the future. Look at what is being ignored, yet which is still alive. Until 20th Century Industrial Chemical Farming (largely a Nazi invention … really), dandelions were a source of salads, wine, syrup, coffee, and medicinal herbs, with great value. Surely, 2 out of 3 rows of apples returning NO profit to earth or humans but only to non-living systems (which must remove life energy from earth and humans in order to concentrate that profit) could be removed, to leave more space for dandelions, and a series of succession plants building on their healing of the land, OR 1 row could be cropped in an annually-regenerating crop of aromatic saplings for meat and fish smoking facilities, eliminating food refrigeration costs and providing shelter for birds, OR 1 row could be given over to community gardens, or … well, one could go on, because the current system does not produce life or profit, so you can do anything else and add wealth to town. Tomorrow, I will expand this story. Today, though, I wanted to make an initial economic point: 1. any form of agriculture is a form of economy, written large; to understand the economy, look at what’s in front of you; 2. in industrial agriculture, profit is the life energy removed from living systems, with the flaw that 3. the living systems cease to regenerate and systems become old, tired and no longer capable of supporting complex life (such as humans or slugs), and 4. for living systems this is the deal breaker, because the alternative is a dead planet. However, 5. successful economic systems renew and 6. the living economy is attempting to do just that. By observing the opportunities it is taking, we can see the opportunities that we can take, for renewed economic profit, renewed living environments, and renewed social and personal health. When humans become impoverished and are the weeds in their economic system, they need only look to the weeds …

P1600376

Pineapple Weed

Growing in the iron-hard soil of a roadway (with the frilly leaves). Zero water. That’s a bit of wire weed (looking very flush with spring water) with the broader leaves, poking through. You cannot kill wire weed, and you cannot pull it out without explosives. Well, I exaggerate, but, tough, right?

Pineapple weed flowers make a far more beautiful tea than chamomile tea, it grows everywhere you let it and many places you don’t, and has the beautiful and relaxing aroma of fresh pineapples. Water requirement? Zero. Wireweed is an ancient herbal remedy and a key ingredient in Vietnamese cooking. At the moment, these crops produce zero dollars for the economy, but they could produce millions, with almost no capital cost. The future is here. It just needs to be seen, because once it is seen the path to wealth and prosperity is very clear. Contemporary agricultural practices are tired and old, and at the end of a cycle. They require more and more input for less and less return. Yet, new crops are everywhere (and renewed economic models), and require almost zero input — except for the creative input of seeing them.

P1600515

Arrow-Leafed Balsam Root Seed Crop is Ready on the Hill!

While “cultural tradition” says it’s not yet time to plant a garden.

True Green and False Economy

What passes for environmentally sound practices today are deep reflections of an economic system, but they’re not green, and they’re not going to ensure either the survival of the earth or of our children. Right now, the City of Vernon, British Columbia is debating whether to keep spraying treated sewage water over indigenous grasslands, golf courses and soccer fields in infilled wetlands or to just pour it into Okanagan Lake. The issue is cost. The reason for that is that “land” and “water” are considered “raw materials”, which are “capital” in an economic system that mines the earth’s creative potential, without ever replenishing it. What I learned in Iceland over the last two months is that “land” and “water” are not raw materials, and creative potential is the only potential there is. An economic system that is complacent about wasting that potential has no future. The one green option in Vernon, to rebuild the grasslands so that the water is moved by the sun and gravity again, at reduced cost and leading eventually to no cost at all, or true wealth, is not part of the debate, although it should be leading it. Here, let me show you. Below is an image of Okanagan Landing, taken this morning, looking Southwest from the Bella Vista Hills.

P1590773

Now, let me show you the image again in an annotated version, so you can see clearly the story it tells.

annotate

A Story of a Lost Environment

The indigenous grassland in the foreground has retained at least some of its capacity to move and store water and to process it into food. The vineyard to the right has mined this environment for three raw materials: “sun”, “land” and “water”, in order to increase the sale prices of the houses on the subdivision above them. The water in the lake is fossil water, left over from the melting of the glaciers 10,000 years ago. It regulates the climate, and ensures that life can live on the hills. It is not for use. The infilled wetlands and the lost grasslands above them are irrigated with water removed from the system that feeds the lake through its forests, grasslands and wetlands. It costs millions of dollars to do, against the millions of dollars of free profit from the land that the earth would otherwise have provided. What’s more, almost all of this earth has been alienated from public use, for now and forever in the future. Now, let me show you a different economic model. This one’s from Iceland.

waterfallhut

Just one of the Kazillion Un-named Waterfalls in Iceland, Suðurdalur

Now, take a look at the annotated version below, to see the story this piece of earth tells.

annotatedturf

This was once home. Although the over-grazing induced by poverty led to the depletion of the original birch forests here, the Icelandic system of retaining the creative capital of the environment has allowed for reforestation, without impacting future creative uses of the land, including such public uses as tourism or recreation. Future wealth has been created. What wealth was there in the past has been retained. This isn’t always quite what it seems. Here’s what that waterfall above looks like from the current road below …

junkEvery bit of wealth that has been removed from the cycle of this piece of earth, in the form of capitalized equipment of one form or another, has been used until it is out-dated, in the fashion of such products, and then is banked, so that the creative potential within it can continue to benefit the farm. It was never the product that was important, but what went into the product. The shape of a piece of metal is more valuable than the metal itself. Here’s that reservoir of creativity again, this time with my little rented Yaris. Someday, it will retire to a farmyard like this — where it will be no less valuable than it is today, ready for its creative energy to be mined for new purposes.
lotsajunk

None of this is junk. In a fully capitalized system, such as the one in Vernon, this material would be melted down and recapitalized as new material, and all of the human ingenuity it contains would be lost, as would the original investment, which came from sheep grazing these hills. As such, the above image is actually an image of environmental sustainability and green thinking. So is this…

hut

Ruined Farm, Reyðarfjörður, Iceland

Notice that the old turf-wall system has been incorporated into the new Post-World-War II system of using discarded American military materials. Ingenuity is something that Icelanders are loathe to waste, and which Canadians discard readily because in Canada’s economic system that ingenuity and the creative potential of the land it draws upon has long ago been mined, capitalized, and replaced. That all costs money. Not only that, it costs earth. I’m not romanticizing here. I mean, there are ruins in Iceland. For example, here’s a ruined turf house in Reyðarfjörður…

turfhouse And here’s the ruin of the post-War concrete house it was replaced with …

window Like the turf house, it was not built to last, because it was not removed from a natural process. It spent no creative energy. It only gave it form for a time. The thinking that went into the construction of this house utilized old scraps, such as the iron bar that used to tie the wall together above this window that looked out from the kitchen, next to the stove.P1440496

Over and over and over, the Icelandic writer Gunnar Gunnarsson pointed out that poverty is the greatest wealth. Those are the words of a man whose mother died of poverty when he was eight and who had so little economic wealth when he was young that it wasn’t a part of life at all. What then did Gunnar mean? Among other things, he meant this:

ropeBeach Wrack, Reyðarfjörður, Iceland

To any man who lived on what he could scrounge from land or sea, this rope would have been great wealth. It is now garbage, because it has no capital potential and thus, in a capitalized system cannot be exchanged for wealth. The seaweed that would have once fed the man’s sheep, is also now waste upon the shore — although it is as fully wealth as it was once in the past, and perhaps will be some day again. Gunnar meant more than that, though. He also meant this:

wallhouseMultiple Generations 

Stock buildings (foreground), fence, turf house, and boat shed by the water … this was Gunnar’s Iceland: a country where wealth that came from human creative energy meeting the creative energy of the land was built up over time. Its products (wool, lambs, children and so forth), were created directly out of this energy. In other words, they were creative products, not the physical ones that capitalization demands. As such, they could be sold without diminishing the land’s capacity to provide more creative energy — something impossible in a capitalized system, in which the wealth follows them, extracted continually from the earth, which is compensated only with money that can only be spent on products that lie outside of the land’s cycles and which must be continually replaced, generation by generation. This is what the Vernon model has done by removing water from the earth’s own economy and placing it in a technical framework, which must nonetheless be paid for by the land. These price includes a social cost, as real as any other economic input. Not only is the transformation of water into a utility economically unviable in the long term, but it costs this:

iceClose up of the Water Fall I Showed You Above, Suðurdalur

Without beauty and mystery, there is only enslavement and poverty. Let me put that another way: once the creative potential of earth has been spent, it loses all beauty and mystery and ceases to be earth. It becomes a product, and the people who live upon it become products as well. In the economic system in Vernon, British Columbia, every piece of earth gets removed at a certain point in history and “developed” — usually into subdivisions, and is no longer a part of the earth’s economy. Building that economy, however, is the goal of environmental sustainability. As the Icelandic model shows, it can be done in a couple ways, at least: one is to maintain an economy built on creative physical energy rather than on capitalization; another, perhaps more practical in our present age, is maintain that creative physical energy within the products already paid for and developed, such as this:

silhouetteHorse-Drawn Manure Spreader, Skriðuklaustur, Iceland

This piece of antiquated machinery represents the lives of hundreds of sheep and many men and women and horses who lived and worked here. It also represents the energy of its designers and creators, and of the men who mined the ore and the others that smelted it into the iron that made it, and the others that shipped it here. Withdrawals can be made from this bank of energy in the form of useful pieces of fabricated steel, which represent the social and creative energy that went into them, and which can be recombined into articles of new cleverness, not new machines, per se. Withdrawals can also be made more directly on the social capital of this machine, by turning it into art, or history, or tourism, or a deep sense of belonging, or respect, or a connection with one’s ancestors. That is what it is to be a human on this earth and of this earth. It is not a world of things. It is not a world of raw materials. It is a world of creative potentials, in which the economy is creation. The earth keeps giving us chances. It’s time to run with some of them. Here’s one…

yellowNot Green but Yellow and Blue

The photo doesn’t show it, but that’s a wild bee with a neon blue abdomen, on a dandelion growing in an overflow beach parking lot near Okanagan Lake. The bee lives on wild land, while domesticated bees are dying out. The dandelion has colonized land that humans have thrown away from their capital plans. It has, in other words, brought creation to it, and holds within it the potential for several new industrial ventures, which will enrich the creative potential of the land in the same way that the flower has by growing here, rather than than making withdrawals from it that it never intends to repay. Well, the earth is telling us that it is time to repay our debts. It doesn’t want our money. It wants us to create within its own economy. Rebuilding the earth would be a use of economic capital that would show a tremendous return on investment. Here, for instance:

sask3 Saskatoons in Full Flower

Another industry in potential. They live on free water.

… and here …

P1590753

Remains of Indigenous Gardens, Bella Vista

Yet more industry in potential. And what are our politicians talking about? Sewage and money. Incredible.

 

Realism, Folktale or Magic Realism

It’s your choice. They’re all fantasies. So, which will the future of the Okanagan be? I know these aren’t pictures from the West beyond the West, but the distance might make things clear.

Realism?

 

reyReykjavik, A Crisp Nordic Novel

Folk Tale?

alf

Elf House and Human Apartments

One group looks a little warmer, perhaps.

Or magic realism?house2

One Man Stares Down the Glut of Icelandic Crime Novels all on His Own

So, there you have it: three variations of houses imitating elf houses, or, in other words, the shape of the imagination, but only one looks happy. Only one looks like a home for the heart.

 

Urban Planning Back to Basics

You know how when you’re making the run from the town you live in to the town you want to get to and there’s this great big empty space in between, and you need, like, a snack and some gas to get you through? Like this?

gas

Alluvial Post-Glacial Flood Plain

This is the Canadian Colonial solution: streets, infrastructure, golf courses,  gas stations and convenience stores, usually on the wrong side of 6 lanes of traffic, with the High Occupancy Vehicle Lane on the, hunh, right, and concrete barriers in between.

There is a more convenient way…

n1Gas

selfserveSnacks

opengatesLodging

OK, not lodging, but it seems to warm the heart anyway.

Sometimes what you need is enough.

Canada in Turmoil

The 20th Century was supposed to belong to Canada, said former Prime Minister Wilfred Laurier. Well, that’s over. Now it is time for the earth.

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Okanagan Falls Vineyard in the Fall

The netting is to keep off invasive English birds called starlings. Oil money from the tar sands has paid for all this. The original agricultural ‘development’ of the valley took place before the First World War, to launder dirty money from the genocide of the Belgian Congo. Can all this just please stop?

There is a word that is somewhat taboo in Canadian artistic, “cultural” and “intellectual” circles. This word is “indigenous,” when applied to certain groups of people and rarely when applied to land.

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Pölich an der Mosel, Germany, where the grapes were first planted by the Celts.

In Canadian Culture, grape growing like this is considered indigenous and to be at the heart of local culture, because it has a 30 year history. In other words, a colonial crop is being considered as indigenous within colonial society and its concept of ‘land’, which is, according to colonial rules, understood as “earth”. It is not.

In reference to people within Canada, the term “indigenous” is allowed to be used in racist terms, to refer to certain peoples and to exclude others. The people it includes in my “land” are the Syilx, the Similkameen, the Tulameen (a southern Tsilq’hotin family), the Ashnola (an inland Sto:lo family), and the Secwepemc, whose ancestors and this land were one for at least 10,000 years. Because the Syilx were plateau peoples, it also includes the Nez Perce, the Colville, the Warm Springs, the Umatilla, the Methow, the Wenatchi, the Yakima, the Moses Lake, the White Salmon, the Chelan, the Wanapum, the Sinlahekin, and many other peoples, all of them brothers and sisters — all of them one people in the land.

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Peshastin Pinnacles, Wenatchee Valley

In colonial American culture, the indigenous sacred site above is considered a “natural landform” and the pear orchards below are considered to be indigenous to “the people” or “the state”.

In Canada, the people that the term “indigenous” completely excludes are everyone else: culturally, socially, intellectually, personally, and individually. It excludes, in other words, almost everyone, forever. This is a non-negotiatable point. It is an eternal internal Berlin Wall.

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Grape Vines on the Internal Canadian Wall

Precious water is squandered to produce a luxury urban product, Ice Wine, for sale to wealthy Chinese industrialists and the urban financial elite. These ones were unharvested, because the technology was inappropriate to the climate.

Since I have the mixed fortune of living a certain part of my life within the cultural net of the place called Canada and the greater part of it as a creature of the earth, that is partly caught in its net and partly in that of the United States of America, this taboo touches me daily and directs my actions as surely as a barbed wire fence directs cattle, and like those cattle I don’t like it. In fact, I don’t know why I should like racism or being herded. Oh, I know why I am being asked. I am being asked (or, rather, directed) to accept it, because in the past people of Caucasian heritage stole this land from its people, belittled and diminished their cultures, damaged the land greatly, and at times systemically (and at times just stupidly) attempted to obliterate both their cultures and their people.

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Orchard, Richland, Washington

Smoke from estranged, burning Yakima People’s grasslands, Canadian water to try to transform a ‘desert’ into ‘productive’ land, New England crops carried to the new West to heal the American Civil War on neutral ground, French poplars planted to break the local wind … it’s like a plantation on Mars. This is how people who don’t live on the earth treat her.

Usually, this history is placed in the past. Occasionally, it is rightfully understood as being an ongoing part  of the present. If so, it denies me my identity as an indigenous person, in order to safeguard against ongoing and systematic cultural diminishment of “indigenous” people. There is a kind of triage going on, in which, in the name of nationalist Canadian culture and certain developing cultural fashions, my sense of indigenous identity must be sacrificed, in case it infects the cultural body of “the country” as a whole.

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One Contemporary Face of Racism

These luscious wild cherries, which could start a local industry, which require no water and little care, and which were vital to the Syilx, are considered weeds and left to their rightful place, “nature”, and the birds — exactly as the Syilx have been treated. When used in this sense, “indigenous”, as a synonym for “natural” or “native” is a profoundly colonial term.

Canada, you see, is a country directed from a centre, not one that has evolved from its parts. Its connection with its regions is tenuous. Now, let me clarify this word “Canada”, for a moment. Like most things in the North American north, it means two things: one is Canada, the countries of Upper and Lower Canada that evolved together organically, and which are in the East, on the Great Lakes and the St. Laurence River; the other is the idea which they “published” or “mapped” westward across the continent. It is an idea which Upper and Lower Canada effectively purchased with a railroad. I’m talking about the second of those countries. There’s a third, too, the one in which the people actually live, but that’s a discussion for another day.

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The Railroad’s Canada

155 years later. This is called “industry” and is understood as “land use” and “private property” in a system in which “public land” or “public space” is either industrial or park land, to satisfy Canada’s founding principles of natural romance harnessed to industrial exploitation, for which indigenous peoples were put onto reserves made purposefully small so that they would provide a working class for a small elite. The attempt, in other words, was to turn the Syilx into the Irish.

In Canada (the let’s buy this land and lay a map over it Canada), the paradoxical denial of individual identity and circumstance in the name of protecting individual identity and circumstance passes as intellectual activity, and is the same kind of big Marxist lie that lay at the heart of East German society and eventually brought the society and its culture to ruin. It’s strikes me, given that history and example, as being a bad idea.

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Russian Graves in the “English Garden” of Belvedere Palace, Weimar, Germany

Now untended and falling down. Canada is just such an “English Garden” — which is a particular “wild” European conception of Nature.

As for racism, a definition might be in order. In Canadian English, “racism” is “the life view that considers people of non-Caucasian heritage, and their culture, as being lesser than Caucasian people and culture and in its extremes non-human.” Such a definition is important for a corporate identity such as “Canada”, which has become one of the world centres of multi-cultural identity, in whose cities global identities and the strong, populist individualism required to provide identities between them, rule with dynamic hybrid vigour (and some troubling problems). In English, however, the word means “the separation of people on racial grounds.” That’s how tricky the social map is in Canada. The Canadian definition is laudable, because it works against nonsense and oppression, yet it falls afoul of the broader meaning of the word, because it does profoundly separate people based on genetic markers. In fact, it is completely based upon doing so — in the name of not doing so. That kind of paradox is profoundly Canadian. It is a form of intellectual barbed wire.

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Canadian Intellectual Barbed Wire

Individualism has a social price. Breeding of these “Nicola” apples was done at public expense. The apples were then given to “private” “owners” of “land”, to sell “publicly”, to make a profit off of the exchange. The apples, however, don’t sell, and even the deer are prevented from getting off of the hills. The only money made here is by fencing companies. Not only does contemporary Canadian culture not live on the earth, but it fences itself off from it in social and physical ways, which it praises.

It takes on other peculiarly North American forms, too. For example, although I am from the “land” (I give the word quotes, because even the word is inadequate; it’s more a story than the land and more a body than a story and more time than space) and it is my body and memory and soul, current intellectual fashions direct me to understand this (my identity, the deepest core of my being) as an error — even a sin.

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This Destroyed Syilx Salmon Stream, However, is Not Considered a Sin

It is considered to be a consequence of something called “global warming”, which is understood as a “natural” or “indigenous” process, not a social one.

In compensation, I am given, by Canadian culture, a group, to which I am said to belong. I only need to be taught that I belong to it. This is a classic definition, by the way, of Marxist re-education.

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The Father of East Germany in His Garden

Reading his Marx, but maybe not the hearts of men.

Don’t get me wrong, I’m not anti-Marxist, just as Wolf Biermann was not anti-Marxist during the ten years the East German government held him under house arrest for being anti-Marxist. Like Biermann, I’m in favour of true socialism.

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Don’t Grow Bitter in These Bitter Times

Wolf Biermann, singing in West Germany after ten years of house arrest for criticizing a hypocritical regime. 1976.

Luckily, since Canada is a dynamic culture, I am given many groups. One of them is: “The group of all people who live in the Okanagan”, which usually means “All white people in the Okanagan,” and never includes the American half of the valley, and its people. It’s like building a wall in the middle of Vancouver or Belfast. Some of the things that humans do would be insane, if it were not easy to understand that they are done because humans are the greatest predators on the planet — some members of the human species are as eager to predate on other humans as they are on bull elk and brown trout. The trick is that at times that defensive instinct becomes predatory in and of itself.

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The Blue Hell

The state security prison of Bautzen, East Germany, home to West German journalists, critics of the regime, and anyone who tried to flee and was caught. Inmates in solitary confinement sang Biermann’s songs to keep themselves sane. The guards were pissed off.

Another group given to me is: “Canadians.” Sometimes that group includes “indigenous” people and sometimes it does not, but it is always, in evolving contemporary speech, referred to as “we.” Who is this “we”? It is a fascinating word. In popular contemporary Canadian culture, which is to say the culture that is evolving rapidly and has the greatest chance of becoming dominant Canadian culture in the future and seeing its cultural genes transmitted broadly, “we” means a multiple of related things in a dynamic relationship: “all humans” (a post-racist genetic term, that names humans by biology determinism and thus denies indigenous culture and identity while proposing to foster it), “a statistical majority of Canadians” (this is the definition used for the purposes of governmental planning at all levels), “the real Canadians” (or, in translation, “The Real People”, or “us”) (a class-based term, employed in a culture that prefers to see itself as being without class-based distinctions of privilege but which draws strong lines between people based on cultural affiliations, intellectual ability, and other markers, which are called “elite”, which is a term meaning “oppressive”, which means “oppressive of the people.”)

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For Thirty Years, Canada’s National Broadcaster has Been Broadcasting That Hockey and Canadian Identity are the Same

The Canadian prime minister has just personally published a history of hockey. I loathe hockey.

Ironically, the “real Canadians”, being a class of honourable and decent normal folks with honourable roots in the working and middle classes, now are the cultural elite and inhabit all of its institutions, and are responsible for them, while, at the same time denigrating the former “elites”, as if they were oppressing them, and calling themselves the oppressed class. This is what revolutions look like up close and personal.

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Syilx Land De-Syilxed

This land has been under land claim since 1895, when it was illegally alienated through a cynical process. Now it is irrigated by processed sewage water, on which are grown cattle and on which are built “view houses”. It is part of the “land use plan” of the City of Vernon, British Columbia, and from my house I look out on it every day.

Given the statistical bias within Canadian culture and the reality that Canada is one of the most urbanized cultures on earth, “Canadians” usually means, understandably enough, “people who live in a large city and view the earth through it and its social and physical webs and structures, including those of government and the elite status structures granted to its institutions.” It’s not very intellectually precise, but intellectual precision, you see, is part of oppressive elite culture. The dominant intellectual trends in Canada today are “deconstruction”, a form of Marxism, and “vagueness,” an aesthetic form that has found fertile ground in philosophy. The thing is, I belong to all of these groups, but only marginally, and only insofar as Canadian and its new colonial master, American culture has infiltrated my land and my indigenous, land-based self, especially as it has been taught to me.

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Nature

Yes, this is what it looks like. These men are hauling up one of the last sturgeon on the planet, in front of one of the mothballed nuclear reactors of the Manhattan Project on the Columbia River, so they can let it go again, so they can haul it up again. This is considered sport and is considered a part of local (ie indigenous) culture and to be an inalienable human right.. It is taking place directly across the home island of the Wanapum People, who chose not to sign a treaty with the Americans, because they were the rightful owners of their land and did not need permission. As a result, they were considered for a century to be non-peoples, and even today talk in Richland, Washington, the headquarters of the Manhattan Project’s production facilities, easily runs to dismissal of them as being a people who never had a home and were denigrated by all other peoples of the area as vagrants. So much for being indigenous.

I tell you, though, I’m in Iceland for six weeks, on the farm of a man who came home from just such a colonial identity in 1939, and I don’t intend to come back to the barbed wire that I left. I am indigenous. The Okanagan is my place. Now, “place”, that’s another interesting word. In indigenous thinking, it is a physical location, that is identity, in which “earth” and “spirit” and “self” are the same thing. There is no word for this in English, and if we were to make one, something like earthspiritself, it would sound preposterous and would hardly do the job. But it is there, and it is physical, and it is story, and there are few points of contact between it and the ruling mythology, the scientific world view. I am trying to build some on this in an Icelandic room with a clear view over a field of horses to ancient mountains in which I feel profoundly at home.

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Icelandic Horses Watching Me Watch Them …

… even though I don’t speak their language.

And that brings me back to “place”. In “Canadian English”, this “place” does not mean a physical location. In fact, in contemporary “avante garde” Canadian literary practice, “placelessness” is the norm and physical identity is exactly the kind of counter-revolutionary, reactionary, class-oppressive consciousness that literature exists to root out, to mock, and to destroy, for once and all. In its “place”, is proposed the dominant, contemporary “Canadian” sense of “place”, which is one’s social “place”, ie, one’s place in the Marxist social structure of evolving human consciousness in a post-physical world. It is also “real place”, otherwise known as “where ‘we’ live”. By “where ‘we’ live” is meant the Canadian colonial grid, the world of streets and suburbs and whacky real estate development schemes and designer wineries and dance lessons that constitute most of daily life. No argument there. The land is a post card seen at a distance, experienced only in “recreational time” or through “recreational activities”, which often include parks, walking paths, and boats, through which one can “get out there” and “be free” and “breathe some fresh air” and experience the ultimate, Canadian romantic colonial rush: “nature”.

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Chopping Up Invasive Weeds in the Spring …

… to allow summer visitors and locals “getting out into the sun” a chance to “play” in nature. With the disinterest of the provincial government in managing its natural environment, it is left to local institutions to commit “weed triage”, abandoning most areas to ruin and preserving those with the greatest human interface. This is called ‘pragmatism’.

This is “place” within the dominant culture of this “place”. As an indigenous person, I look at it with amazement. We will never save the planet that way. That way, we will guarantee ourselves the ultimate “placelessness”: no inhabitable planet at all. It is a colonial mindset, going back to the European and Canadian roots of this nation, and it, not “place”, is the one that needs to be healed or even set to rest. In Canadian English, “colonialism” happened in the past, and was done largely by white people to “Indians” and to a European sense of place, which they called “land.”

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This is not land.

Colonialism, however, is ongoing. It infiltrates everything. I personally don’t like being oppressed by it, but many people don’t seem to mind. It’s not that my sense of “Okanagan” “place” does not include parks, walking paths, suburbs, shopping malls, grocery stores, and all other parts of the Canadian ‘grid’, but that I am not rooted in them and do not derive my identity from them. I get it from the land.

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This is My Self Portrait…

taken shortly before leaving for Iceland.

The clarity that comes in Iceland is in part that the landscape is so profoundly similar, in part that the balance between senses of place is not so completely one-sided, in part that the language is more honest and that class identity holds a lesser sway over culture, and in part that culture here is rooted in a kind of physical place, using a language that rises from it. It is, in other words, indigenous. It is healing to be, for awhile, in a place in which I am able to be myself, without negotiating intellectual fences, and in which being indigenous is not a sin.

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Here I am in Iceland

Of course, this is not my country, but that’s not the point. My sense of indigenous culture goes back through the “land” of my childhood to the sense of indigenous culture of my ancestors in northern Europe and back through them to the depths of time and human space. The line is unbroken. Indigenous people around the world are creatures of the earth. They are her people. For me, it is not a simple line, as it winds its way through 1930s Germany, with all the political and social difficulties tied with that, but it is a clear and honest line. I do not believe that humans have a chance on this planet unless they find ways to create social groups that honour indigenous relationships to her. We need all our people, together. There is, however, no ‘we’. There are many, who are one, while remaining many. And in that thought, I show my German-Canadian colours at last, a bit faded and tattered, but still flying.

p1120005Downtown Vernon

Hub of the North Okanagan. Colonial British Columbia volunteered here to be shipped off to France in August 1914. We are left to sell our junk among bomb splinters. Formerly prosperous regional cities in East Germany look just like this, as do formerly prosperous fishing villages in Iceland. Only the flag is different, but what’s a flag? Pshaw, just something blowing in the wind.

Nationalism has outlived its time. Until flags mean less and the earth more, humans will continue to be an endangered species.

Reindeer Guides on the Long Road to the North

Ah, the Okanagan Valley of British Columbia and Washington, a semi-arid region of brittle prickly pear cactus and sagebrush, with summers of 45 degrees and winters of 20 or even 40 Below! The marketting campaign to turn this valley into eternal summer has been extraordinarily successful, leaving those of us native to the place and its extremes scratching our heads. 10,000,000 Canadians travel to Mexico every winter to escape the cold. I travelled North to Iceland instead, to find it. Today I arrived in my home for a month, Skriðuklaustur. Here are some of the locals, scratching their heads at that.

reindeercroppedReindeer in the East Fjords

Sure, we have Caribou in Canada, but that’s not the point. The point is that I am among people who look North for warmth. The point is, I am home. Thanks for following me on my journey here these last 9 days. Tomorrow the work begins. Hey, maybe when I get home at the end of April, I’ll look much like this:

reindeerReindeer above Langadalsá, Iceland