I love this land. I guess you know that. I am this land. Other writers might talk about identity and ego and alter ego and personality, but I just want to take you out to the bitterroot, to the old ones, and help you to see what I have learned to see. Look!
Straight out of volcanic ash 55,000,000 years old, way down south in the John Day Hills. This the land itself. Look at her. I don’t expect you to understand. How could you? But if you want to know why I keep at this, look.
Isn’t my country beautiful? Aren’t I blessed to be a part of her? Isn’t this a great responsibility? I used to think my country was the Okanagan Valley of British Columbia, Canada. Now I know it is a collection of tropical volcanic islands that are continuing to collide with North America, stretching from Yellowstone and the Giant Redwoods, north to Alaska. I live in the middle of all that, but way in the south, ah, my heart is there as much as it is here. Others who live in my country, who call themselves Canadians and Americans, as I did before I began these journeys of close attention to the red earth, have their universities and their literatures, their psychologies, their economies, their arts councils and business investment banks. I just have the land now.
Ah, but look at her! Today, it has been 1000 journeys into the grass for us here on Okanaganokanogan. I have learned to read the land’s stories. Look.
That’s an ancient story, in the bed of Dry Falls. Most of the fresh water of the world, when the world still had fresh water, flowed over this stone turtle, and made it in its shape, out of basalt cliffs like the one you can see in behind. Now I get to walk through it at 45 degrees Celsius, which is about the right temperature, if you ask me. I’ve learned to see gravity, too.
And good friends have battled up against it with me, in a kind of dry land surfing. Oh my. I’m still the farmer, though, although I’ll never have a farm. I’m the man with his roots in 10,000 years of a conversation with the land, or is it 20,000 years, or 50,000? Look below. This is the place. It’s on the John Day River. It’s seen better days, sure, and has been replaced now by the industrial farms of the Columbia Basin, but look at her. I could live there, if borders didn’t cut my country into bits. The junipers on the hills, with my grandfather’s spirit in them. The volcanic rock, the only rock for me. The bunchgrass, that drinks the sun and the rain. The willows on the river, that speak the wind, the river running over tumbled stones, that sing, the sagebrush that drinks the heat, the heat, the mountain’s shadow, that is always moving, and the trees, with their peaches and cherries for Portland, all grown in conversation with the land. It could be ancient Persia. It could be Afghanistan. It could be Iceland, but it is here. This is my rock. The reward for working here is just the chance to be here, talking to the earth with my hands and my eyes and the heart in my chest. Go ahead, click on the picture. It’s wide. It might not speak to you of the coming together of forces it speaks of to me, but then, perhaps, you didn’t learn the world first from peach trees, as I did, and only then from books and people, in that order. These are my people. Look at them, thriving there in the sun! Look at them catching it in their arms.
A thousand posts! Look at my people, soaring above Umatilla Ridge.
So what now, eh? Well, there have been efforts to turn me into a salesman, to sell this story. There have been efforts, to take the vision out of me and replace it with arguments of utility, for the building of new agricultural technologies, but, come on. This is my real story. This is why I’m here. This stone raven at Peshastin. Click on it. Look at the head that’s in its eye. Somehow has to tell the story of how to live on the land, and how to be it. Someone has to say, we can do this. It’s easy. You just have to give yourself away with a full and open heart.
Oh, I have new crops and new technologies here. I have a history, that starts here, not in London or New York. I have a book about the sun, and about rethinking nuclear fission, using this land and its sun. I have all that, and you soon will, too. The books are in the works, but it’s a huge job. After all, I don’t have the university to do this work, and my brothers and sisters, the writers of this country, they’re largely writing for Canada and the United States.They might not want to be, but we have to walk this path together, step by step, with the bunchgrass brushing at our thighs. We’re getting there. By the end of the year, things should look pretty grand. Look at what I’m working on now…
When I raise my arm to point out a hawk diving on a quail in a field of wild grass, I am plunging my arm into the sun. It’s all sunlight, right down to the surface of the soil. I walk through it. It flows over my skin.
I love that. I love living in the sun. It’s like that here. I can’t explain it. I’ve tried. But, hey … it’s a big job. Look, I can take you there, if you like.
Yes, that’s right. The sun is the earth. the earth is the sun. They complete each other. They were never apart. That’s Mount Hood above there, to give her a traditional name, if that helps. Beautiful, isn’t she. In my country, the earth is within the sun. I can’t explain it. But I can take you there. That’s what I can do. Here’s where I found my heart in the land.
That’s my self portrait. That’s Palouse Falls. Does it look like a man? Of course not. But it’s where I am now, after 1000 posts on Okanaganokanogan. We’re not done yet. We’re still walking. There’s still so much to love here. Thanks so much for walking with me in this grass, and through this rock. I could not have done it without your encouragement. A thousand posts. 30,000 photos. 20,000 hours.That’s just amazing. This, though, just below, is what it’s all about. Look at the goddess of this land, the cicada, shedding her skin.
Isn’t she beautiful? Isn’t she worth living for? Isn’t she worth great praise?