Iceland and Canada: the Rust Belt

Some say Canada’s Chilcotin, some say Iceland’s Sudurdalur, but the effect of farming in a non-manufacturing country is the same: your profits are spent on rust, and you never get ahead, because you’re constantly exchanging your labour for obsolescence. This is the side of the world economic system that is supposed to work well on national and international levels, but no matter where you go it doesn’t work regionally, right where it matters, where human activity meets the earth that supports it. We’ve had the burst bubble of the banking industry and the real estate industries. When the agricultural bubble bursts, we’ll have to do what the Icelanders do, this…bale

 

Obsolete Equipment in Sudurdalur

This is not a junkpile. It is the only lasting wealth on the place. You can make anything out of this stuff. That’s why it’s out by the road. Not only can the neighbours admire your wealth, but they can go shopping for bits that they need. The difference between this and Canada’s Chilcotin, is zero. Well, except for a few fire-seeded trees in the Canadian version. It might be a good idea to start stockpiling in our cities, too. This is the real recycling. That baler will stay there until every piece of it is used.

Canada in Turmoil

The 20th Century was supposed to belong to Canada, said former Prime Minister Wilfred Laurier. Well, that’s over. Now it is time for the earth.

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Okanagan Falls Vineyard in the Fall

The netting is to keep off invasive English birds called starlings. Oil money from the tar sands has paid for all this. The original agricultural ‘development’ of the valley took place before the First World War, to launder dirty money from the genocide of the Belgian Congo. Can all this just please stop?

There is a word that is somewhat taboo in Canadian artistic, “cultural” and “intellectual” circles. This word is “indigenous,” when applied to certain groups of people and rarely when applied to land.

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Pölich an der Mosel, Germany, where the grapes were first planted by the Celts.

In Canadian Culture, grape growing like this is considered indigenous and to be at the heart of local culture, because it has a 30 year history. In other words, a colonial crop is being considered as indigenous within colonial society and its concept of ‘land’, which is, according to colonial rules, understood as “earth”. It is not.

In reference to people within Canada, the term “indigenous” is allowed to be used in racist terms, to refer to certain peoples and to exclude others. The people it includes in my “land” are the Syilx, the Similkameen, the Tulameen (a southern Tsilq’hotin family), the Ashnola (an inland Sto:lo family), and the Secwepemc, whose ancestors and this land were one for at least 10,000 years. Because the Syilx were plateau peoples, it also includes the Nez Perce, the Colville, the Warm Springs, the Umatilla, the Methow, the Wenatchi, the Yakima, the Moses Lake, the White Salmon, the Chelan, the Wanapum, the Sinlahekin, and many other peoples, all of them brothers and sisters — all of them one people in the land.

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Peshastin Pinnacles, Wenatchee Valley

In colonial American culture, the indigenous sacred site above is considered a “natural landform” and the pear orchards below are considered to be indigenous to “the people” or “the state”.

In Canada, the people that the term “indigenous” completely excludes are everyone else: culturally, socially, intellectually, personally, and individually. It excludes, in other words, almost everyone, forever. This is a non-negotiatable point. It is an eternal internal Berlin Wall.

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Grape Vines on the Internal Canadian Wall

Precious water is squandered to produce a luxury urban product, Ice Wine, for sale to wealthy Chinese industrialists and the urban financial elite. These ones were unharvested, because the technology was inappropriate to the climate.

Since I have the mixed fortune of living a certain part of my life within the cultural net of the place called Canada and the greater part of it as a creature of the earth, that is partly caught in its net and partly in that of the United States of America, this taboo touches me daily and directs my actions as surely as a barbed wire fence directs cattle, and like those cattle I don’t like it. In fact, I don’t know why I should like racism or being herded. Oh, I know why I am being asked. I am being asked (or, rather, directed) to accept it, because in the past people of Caucasian heritage stole this land from its people, belittled and diminished their cultures, damaged the land greatly, and at times systemically (and at times just stupidly) attempted to obliterate both their cultures and their people.

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Orchard, Richland, Washington

Smoke from estranged, burning Yakima People’s grasslands, Canadian water to try to transform a ‘desert’ into ‘productive’ land, New England crops carried to the new West to heal the American Civil War on neutral ground, French poplars planted to break the local wind … it’s like a plantation on Mars. This is how people who don’t live on the earth treat her.

Usually, this history is placed in the past. Occasionally, it is rightfully understood as being an ongoing part  of the present. If so, it denies me my identity as an indigenous person, in order to safeguard against ongoing and systematic cultural diminishment of “indigenous” people. There is a kind of triage going on, in which, in the name of nationalist Canadian culture and certain developing cultural fashions, my sense of indigenous identity must be sacrificed, in case it infects the cultural body of “the country” as a whole.

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One Contemporary Face of Racism

These luscious wild cherries, which could start a local industry, which require no water and little care, and which were vital to the Syilx, are considered weeds and left to their rightful place, “nature”, and the birds — exactly as the Syilx have been treated. When used in this sense, “indigenous”, as a synonym for “natural” or “native” is a profoundly colonial term.

Canada, you see, is a country directed from a centre, not one that has evolved from its parts. Its connection with its regions is tenuous. Now, let me clarify this word “Canada”, for a moment. Like most things in the North American north, it means two things: one is Canada, the countries of Upper and Lower Canada that evolved together organically, and which are in the East, on the Great Lakes and the St. Laurence River; the other is the idea which they “published” or “mapped” westward across the continent. It is an idea which Upper and Lower Canada effectively purchased with a railroad. I’m talking about the second of those countries. There’s a third, too, the one in which the people actually live, but that’s a discussion for another day.

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The Railroad’s Canada

155 years later. This is called “industry” and is understood as “land use” and “private property” in a system in which “public land” or “public space” is either industrial or park land, to satisfy Canada’s founding principles of natural romance harnessed to industrial exploitation, for which indigenous peoples were put onto reserves made purposefully small so that they would provide a working class for a small elite. The attempt, in other words, was to turn the Syilx into the Irish.

In Canada (the let’s buy this land and lay a map over it Canada), the paradoxical denial of individual identity and circumstance in the name of protecting individual identity and circumstance passes as intellectual activity, and is the same kind of big Marxist lie that lay at the heart of East German society and eventually brought the society and its culture to ruin. It’s strikes me, given that history and example, as being a bad idea.

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Russian Graves in the “English Garden” of Belvedere Palace, Weimar, Germany

Now untended and falling down. Canada is just such an “English Garden” — which is a particular “wild” European conception of Nature.

As for racism, a definition might be in order. In Canadian English, “racism” is “the life view that considers people of non-Caucasian heritage, and their culture, as being lesser than Caucasian people and culture and in its extremes non-human.” Such a definition is important for a corporate identity such as “Canada”, which has become one of the world centres of multi-cultural identity, in whose cities global identities and the strong, populist individualism required to provide identities between them, rule with dynamic hybrid vigour (and some troubling problems). In English, however, the word means “the separation of people on racial grounds.” That’s how tricky the social map is in Canada. The Canadian definition is laudable, because it works against nonsense and oppression, yet it falls afoul of the broader meaning of the word, because it does profoundly separate people based on genetic markers. In fact, it is completely based upon doing so — in the name of not doing so. That kind of paradox is profoundly Canadian. It is a form of intellectual barbed wire.

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Canadian Intellectual Barbed Wire

Individualism has a social price. Breeding of these “Nicola” apples was done at public expense. The apples were then given to “private” “owners” of “land”, to sell “publicly”, to make a profit off of the exchange. The apples, however, don’t sell, and even the deer are prevented from getting off of the hills. The only money made here is by fencing companies. Not only does contemporary Canadian culture not live on the earth, but it fences itself off from it in social and physical ways, which it praises.

It takes on other peculiarly North American forms, too. For example, although I am from the “land” (I give the word quotes, because even the word is inadequate; it’s more a story than the land and more a body than a story and more time than space) and it is my body and memory and soul, current intellectual fashions direct me to understand this (my identity, the deepest core of my being) as an error — even a sin.

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This Destroyed Syilx Salmon Stream, However, is Not Considered a Sin

It is considered to be a consequence of something called “global warming”, which is understood as a “natural” or “indigenous” process, not a social one.

In compensation, I am given, by Canadian culture, a group, to which I am said to belong. I only need to be taught that I belong to it. This is a classic definition, by the way, of Marxist re-education.

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The Father of East Germany in His Garden

Reading his Marx, but maybe not the hearts of men.

Don’t get me wrong, I’m not anti-Marxist, just as Wolf Biermann was not anti-Marxist during the ten years the East German government held him under house arrest for being anti-Marxist. Like Biermann, I’m in favour of true socialism.

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Don’t Grow Bitter in These Bitter Times

Wolf Biermann, singing in West Germany after ten years of house arrest for criticizing a hypocritical regime. 1976.

Luckily, since Canada is a dynamic culture, I am given many groups. One of them is: “The group of all people who live in the Okanagan”, which usually means “All white people in the Okanagan,” and never includes the American half of the valley, and its people. It’s like building a wall in the middle of Vancouver or Belfast. Some of the things that humans do would be insane, if it were not easy to understand that they are done because humans are the greatest predators on the planet — some members of the human species are as eager to predate on other humans as they are on bull elk and brown trout. The trick is that at times that defensive instinct becomes predatory in and of itself.

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The Blue Hell

The state security prison of Bautzen, East Germany, home to West German journalists, critics of the regime, and anyone who tried to flee and was caught. Inmates in solitary confinement sang Biermann’s songs to keep themselves sane. The guards were pissed off.

Another group given to me is: “Canadians.” Sometimes that group includes “indigenous” people and sometimes it does not, but it is always, in evolving contemporary speech, referred to as “we.” Who is this “we”? It is a fascinating word. In popular contemporary Canadian culture, which is to say the culture that is evolving rapidly and has the greatest chance of becoming dominant Canadian culture in the future and seeing its cultural genes transmitted broadly, “we” means a multiple of related things in a dynamic relationship: “all humans” (a post-racist genetic term, that names humans by biology determinism and thus denies indigenous culture and identity while proposing to foster it), “a statistical majority of Canadians” (this is the definition used for the purposes of governmental planning at all levels), “the real Canadians” (or, in translation, “The Real People”, or “us”) (a class-based term, employed in a culture that prefers to see itself as being without class-based distinctions of privilege but which draws strong lines between people based on cultural affiliations, intellectual ability, and other markers, which are called “elite”, which is a term meaning “oppressive”, which means “oppressive of the people.”)

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For Thirty Years, Canada’s National Broadcaster has Been Broadcasting That Hockey and Canadian Identity are the Same

The Canadian prime minister has just personally published a history of hockey. I loathe hockey.

Ironically, the “real Canadians”, being a class of honourable and decent normal folks with honourable roots in the working and middle classes, now are the cultural elite and inhabit all of its institutions, and are responsible for them, while, at the same time denigrating the former “elites”, as if they were oppressing them, and calling themselves the oppressed class. This is what revolutions look like up close and personal.

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Syilx Land De-Syilxed

This land has been under land claim since 1895, when it was illegally alienated through a cynical process. Now it is irrigated by processed sewage water, on which are grown cattle and on which are built “view houses”. It is part of the “land use plan” of the City of Vernon, British Columbia, and from my house I look out on it every day.

Given the statistical bias within Canadian culture and the reality that Canada is one of the most urbanized cultures on earth, “Canadians” usually means, understandably enough, “people who live in a large city and view the earth through it and its social and physical webs and structures, including those of government and the elite status structures granted to its institutions.” It’s not very intellectually precise, but intellectual precision, you see, is part of oppressive elite culture. The dominant intellectual trends in Canada today are “deconstruction”, a form of Marxism, and “vagueness,” an aesthetic form that has found fertile ground in philosophy. The thing is, I belong to all of these groups, but only marginally, and only insofar as Canadian and its new colonial master, American culture has infiltrated my land and my indigenous, land-based self, especially as it has been taught to me.

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Nature

Yes, this is what it looks like. These men are hauling up one of the last sturgeon on the planet, in front of one of the mothballed nuclear reactors of the Manhattan Project on the Columbia River, so they can let it go again, so they can haul it up again. This is considered sport and is considered a part of local (ie indigenous) culture and to be an inalienable human right.. It is taking place directly across the home island of the Wanapum People, who chose not to sign a treaty with the Americans, because they were the rightful owners of their land and did not need permission. As a result, they were considered for a century to be non-peoples, and even today talk in Richland, Washington, the headquarters of the Manhattan Project’s production facilities, easily runs to dismissal of them as being a people who never had a home and were denigrated by all other peoples of the area as vagrants. So much for being indigenous.

I tell you, though, I’m in Iceland for six weeks, on the farm of a man who came home from just such a colonial identity in 1939, and I don’t intend to come back to the barbed wire that I left. I am indigenous. The Okanagan is my place. Now, “place”, that’s another interesting word. In indigenous thinking, it is a physical location, that is identity, in which “earth” and “spirit” and “self” are the same thing. There is no word for this in English, and if we were to make one, something like earthspiritself, it would sound preposterous and would hardly do the job. But it is there, and it is physical, and it is story, and there are few points of contact between it and the ruling mythology, the scientific world view. I am trying to build some on this in an Icelandic room with a clear view over a field of horses to ancient mountains in which I feel profoundly at home.

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Icelandic Horses Watching Me Watch Them …

… even though I don’t speak their language.

And that brings me back to “place”. In “Canadian English”, this “place” does not mean a physical location. In fact, in contemporary “avante garde” Canadian literary practice, “placelessness” is the norm and physical identity is exactly the kind of counter-revolutionary, reactionary, class-oppressive consciousness that literature exists to root out, to mock, and to destroy, for once and all. In its “place”, is proposed the dominant, contemporary “Canadian” sense of “place”, which is one’s social “place”, ie, one’s place in the Marxist social structure of evolving human consciousness in a post-physical world. It is also “real place”, otherwise known as “where ‘we’ live”. By “where ‘we’ live” is meant the Canadian colonial grid, the world of streets and suburbs and whacky real estate development schemes and designer wineries and dance lessons that constitute most of daily life. No argument there. The land is a post card seen at a distance, experienced only in “recreational time” or through “recreational activities”, which often include parks, walking paths, and boats, through which one can “get out there” and “be free” and “breathe some fresh air” and experience the ultimate, Canadian romantic colonial rush: “nature”.

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Chopping Up Invasive Weeds in the Spring …

… to allow summer visitors and locals “getting out into the sun” a chance to “play” in nature. With the disinterest of the provincial government in managing its natural environment, it is left to local institutions to commit “weed triage”, abandoning most areas to ruin and preserving those with the greatest human interface. This is called ‘pragmatism’.

This is “place” within the dominant culture of this “place”. As an indigenous person, I look at it with amazement. We will never save the planet that way. That way, we will guarantee ourselves the ultimate “placelessness”: no inhabitable planet at all. It is a colonial mindset, going back to the European and Canadian roots of this nation, and it, not “place”, is the one that needs to be healed or even set to rest. In Canadian English, “colonialism” happened in the past, and was done largely by white people to “Indians” and to a European sense of place, which they called “land.”

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This is not land.

Colonialism, however, is ongoing. It infiltrates everything. I personally don’t like being oppressed by it, but many people don’t seem to mind. It’s not that my sense of “Okanagan” “place” does not include parks, walking paths, suburbs, shopping malls, grocery stores, and all other parts of the Canadian ‘grid’, but that I am not rooted in them and do not derive my identity from them. I get it from the land.

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This is My Self Portrait…

taken shortly before leaving for Iceland.

The clarity that comes in Iceland is in part that the landscape is so profoundly similar, in part that the balance between senses of place is not so completely one-sided, in part that the language is more honest and that class identity holds a lesser sway over culture, and in part that culture here is rooted in a kind of physical place, using a language that rises from it. It is, in other words, indigenous. It is healing to be, for awhile, in a place in which I am able to be myself, without negotiating intellectual fences, and in which being indigenous is not a sin.

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Here I am in Iceland

Of course, this is not my country, but that’s not the point. My sense of indigenous culture goes back through the “land” of my childhood to the sense of indigenous culture of my ancestors in northern Europe and back through them to the depths of time and human space. The line is unbroken. Indigenous people around the world are creatures of the earth. They are her people. For me, it is not a simple line, as it winds its way through 1930s Germany, with all the political and social difficulties tied with that, but it is a clear and honest line. I do not believe that humans have a chance on this planet unless they find ways to create social groups that honour indigenous relationships to her. We need all our people, together. There is, however, no ‘we’. There are many, who are one, while remaining many. And in that thought, I show my German-Canadian colours at last, a bit faded and tattered, but still flying.

p1120005Downtown Vernon

Hub of the North Okanagan. Colonial British Columbia volunteered here to be shipped off to France in August 1914. We are left to sell our junk among bomb splinters. Formerly prosperous regional cities in East Germany look just like this, as do formerly prosperous fishing villages in Iceland. Only the flag is different, but what’s a flag? Pshaw, just something blowing in the wind.

Nationalism has outlived its time. Until flags mean less and the earth more, humans will continue to be an endangered species.

A Lesson from Iceland

When the vikings came to Iceland in the 10th Century, the place was rich with birch, willow and mountain ash forests. Eventually they burnt them all — to stay warm, to cook lamb shanks, and just to extend their grazing fields. You can’t blame them: all the good land was sewn up by a few select families; others were forced farther and farther out. (Sounds like Canadian land ownership policies, doesn’t it!) When there were no trees at all, things were tough, Iceland was an abused Danish colony, most Icelanders were starving in the cold and dark, and only about 20% of women were even allowed, legally, to marry.

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Bedrock above the Lagarfljót

Fljótsdalur, Iceland

Then they started planting trees, and became a country, step by step, tree by tree.

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Trees Breaking Apart Rock

(Doing the work of giants.)

In the Okanagan, on the far side of the North American Plate, we have the opposite problem: in these grasslands there used to be few trees; the land was rich and productive. Due to colonial practices, trees were allowed to spread over the grass, or were even planted on it, and today there are up to 1000 times as many trees as were present 90 years ago, when the Icelanders had started planting theirs. These are the industrial forests of British Columbia. They are not natural. They are a created, artificial thing, which means that they can be read like any other art. So, let’s do that. What is the state of the industrial art form called “forest” today? Well, now the grasslands are unproductive, the trees are sick with beetles, the forest industry, that had a vision of replacing indigenous knowledge with wealth-creating imported European knowledge profits mostly Americans, the land is considered an industrial asset, the young are fleeing for the cities that are the natural outcome of colonial land use policies, and poverty is increasing rapidly. It is time to start planting grass and becoming a rich, independent, self-supporting people again — or maybe for the first time.

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Unproductive Land in the Okanagan

Not only have the trees on the hills replaced a wealth of food with monocultural, profitless industrial deserts subject to disease, but the thrice-bankrupted subdivision in the foreground, designed to net oil money from the tar sands, is just eroding away, where a decade ago the land was still productive (although unharvested). In other words, industrial metaphors have triumphed, yet have not brought wealth. 

There comes a tipping point at which colonial practices no longer produce wealth but exceed the carrying capacity of the land and replace it, resulting not only in economic poverty but social and intellectual poverty as well. We can still turn this around. The Icelanders learned, almost too late, the price of living out of balance. Let’s learn from them and adjust the story we tell with the land. Let’s plant some grass again. By doing so, we will be honouring our common wealth, and we will grow to fit that image.

balsam2Productive Grasslands, Bella Vista

“Industry” can have many faces. These are not natural-growing pretty flowers as the romantic age of Canada’s founding would have it. They are the remnants of a humanly-created, self-supporting agricultural policy that utilized natural processes in a relationship of respect for life. 

 

Forests Are Sacred

Some forests are not planted to be logged. Here, for example, is a birch forest in Iceland, planted a century ago, with the express purpose of creating a country through poetry and art. When romance is stripped from the picture, the planting of trees is art. Industrial logging and forests are not synonymous.

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It’s not a park, either. It’s a forest.

Icelandic National Forest at 4:30 pm, April 2, 2013

Canada is now more than a century behind.

Writing and Farming Are One

Some thoughts on “writing” today, including my other love, “farming”, and another one, “art.” A smorgasbord, really! First a note: There are few writers left in the world (but many keyboarders), I know, but, still, with a little generosity for old paper-based technologies, writers write on paper (or keyboard onto screens) and farmers put up fences in fields and plow fields in long lines like epic verses … ah, you see? Writing. Here are one farmer’s animals in the Lagarfljót, Iceland, sitting within the boundaries of his pages… ahem … fields…

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Horse and Sheep in the Spring Sun

The horse appears to be pushing at the boundaries of his rhyme scheme.

If you exist physically in a physical world, then farms like this are surely an art form. The pages are written on the land, rather than in books, but they are pages, nonetheless. In the age of  Creative Writing Departments and, bless us, Literature, it’s not the way we who write “words” like to think of our art, but it’s honest. After all, many of our languages (including English and Icelandic) were invented by sheepherders and fishermen. When we speak, or write (or keyboard), it is their voices that echo through the fields … ahem,  pages … of our books (or screens) — in other words, through our farms. Here is one of a farmer’s writing implements …

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Horse-Drawn Hay Rake Put Out to Pasture…

… and ready to drive the earth up into the stars. So much for the Industrial Revolution. Why, once even typewriters like this were created in foundries and then set loose like horses into the folds, I mean fields, of the world.

I make light of this important idea, I know, but it’s only because I find it so delightful. Think, for example, of what writing echoes in this farmer’s language called English: one wrights metal (and stage plays), one spells words (and magic), one writes poems, one performs rites, one tells stories, and in the end what one has to show for one’s craft (and art) is what one has wrought, wrote, read, invoked, spelled and played. In other words, it’s like this:

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A Tangled Mess of Manure Spreader and Hay Rake

… somewhat forgotten over the hill (if you were wondering where that expression came from.)

There is, however, another form of art, indeed a language of its own, which has not wandered into such tight fields of electrified wire and driftwood fenceposts and old bits of barbed wire tufted with horse hair, that can help us wrights and spellers and invokers through our gates into the pastures of the high country, and that is the art of painting, and it’s industrial child, photography. In painting, one lays down colour and fills it in (as, indeed one does in music, as well), whereas in photography, one “takes” a picture — not in the sense of theft, but in the sense of “taking a temperature” or of something “taking place” — in other words, one is engaged in a moment of presence, one is present, one is there, or, rather, here …

horsecraterThree Icelandic Horses and Pseudo-Crater at Lake Myvatn, Iceland

From these artists, we wrights and readers can take a blessing: instead of placing ourselves in the roles of givers and receivers of human intentions (stories, poems, plays and even novels, if your taste wanders in that direction), we can take a poem, lay down words, and be present, through our attention, in the world. This is what our ancestors meant when they created our language. This is what they are still saying when we “use” it, or “speak” it.

klaustur20My Writing Desk at Skriðuklaustur, Iceland

It’s about the light.

A long time ago I was taught to write poems by the orchard trees I lived among. After twenty seven books about people and their stories, the light has found me again and, once again, is wrighting me, and I am glad.

 

 

Land Earth Horse Ice Star

The land is watching.

HesturSpring’s Horses, North of Hofsos, Iceland

If you stop beside the road, they will appear. And if you try to talk to that land in a foreign language?

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An Icelandic Horse Discovers Sugar

Hmmmm. In the end, one horse out of forty accepted a sugar cube. She had three. It might be better to speak to the land as the wind…

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Icelandic Horses Waiting for Me to Figure Out What They’re Waiting For

Hay, oats, and a bucket of water, I think. I think that’s all that the wind wants, except, of course, to play in my hair. And while the land is watching humans, what is the earth doing?

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Oxárarfoss, Iceland

While humans are talking with their art form, the land, the earth is making art among the stars.

 

Salt Lithography

I have mentioned the need for a new Enlightenment, one which includes the earth. The following images show, I think, just where it might begin. This is a variation on the art of lithography from Iceland. Here it is not a human artist inking stone to print on paper, but the sea writing upon the snow with the land as a pigment (in this case ground volcanic basalt). I found these transitory prints written in a heavy spring snowfall as the tide was coming in at Sauðarkrokur in the Skaga Fjord.s3

I see the beginnings of a language here, and here …

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Contemporary artists search for the lack of signification, yet this is the universe …

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It’s just that it’s not a humanist meaning. Look at how the snow erupts in volcanoes when pressured from the sides! Stunning.

Next: A Language of Light and Shadow from Hofstaðir

Rebirth … through Trees

Every Western church has a window much like this …

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Christ Risen

Reykholt Church Altar, Iceland

Not many churches have this for a view while you’re sitting in the pews …
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Church Window, Reykholt, Iceland

The other cross.

Imagine if a people had cut down all their trees to stay warm in the cold, until the poets came along and started planting trees again, until memory was a live and growing year by year, and you could walk through it. Imagine a people who found their liberty in this way, rather than by war or revolution: by planting trees. Well, it’s the kind of country that might build a road like this…

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If You’re Going to Go Through All the Trouble of Building a Road …

… you might has well have it lead somewhere.

Putting towns at the ends of roads is so expensive. In the Okanagan and the Okanogan, these are lessons that have not yet been learned: plant a tree; build a road that leads to it.

 

Telling Stories through Photography

When I started these notes, I wanted to record explorations of a near-desert caught in the winds of the mountains far inland from the sea. The salmon, I thought, were the ones to make it clear that this land is also the shore of the sea. They are. The process of assembling evidence for a book of united science and literature about place has given me an unexpected gift. Now I see the story. It is made out of water and light.

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Water and the Sun, five billion years on.

Photography works like photosynthesis, carrying energy from one side of a barrier to another, in this case from the moment of observation to the moment of reading. Like photosynthesis, it moves energy, and stores it. That is the story of water in this world, as well.

Here is the first principle of earth writing, which I have drawn from this experience: if you start from the building blocks of the earth, you will find the earth they have built. If you start from a photograph — an image of light and of a human — and tell its story, you will tell a story that is an image of light. The human you will tell will be light as well, even when that light appears dimmed by fog and seemingly without a human in sight:

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Icelandic Sheep in the Rain, Seyδisfjördur

Dim or strong, the spiritual energy of light is not diminished. Photographs are spiritual records. They create representations of both the world and a human state of mind — especially those points at which they are the same thing.

The writing of the future is writing that will either accommodate the earth within its processes or continue to turn from her. Telling this story in mixed words and light holds some hope for the path of the earth in this time of environmental peril. Perhaps we could call this approach logosynthesis. At any rate, writers have turned from her from too long. It is time to go home. That’s why I’m in Iceland this spring.

Next: pictures from the north.