Photographic Punk: Another Look at the Urban Okanagan

Yesterday, I shared a vision for my city, Vernon, in the North Okanagan, based around the notion of steampunk, an art form usually praised for funky flea market jewelry made from recycled watches, and novels with computers, dragons, and zeppelins all flying around together having great, low-tech adventures. I see this exciting new way of considering urban space to have the capacity to unite communities into common vision (because it is already universal) and to provide as well clear terms for creating healthy interfaces with the earth, using terms rooted in young, popular culture, where any future will be created. While I work out some more detailed principles, I’d like to leave you with a thought. It’s about photography. These are all images of humans. What you will see as you scroll down are (bear with me here) four humans. Have a look at the beautiful creatures…

zone Human #1

A steampunk creation of brick, asphalt, a power pole, paper for recycling, a glass window,  a magnificent art work of natural gas piping, and some handsome sturdy posts, as part of the human-automobile war. This human lives in an alley between the Vernon Art Gallery & Civic Parkade and a discount clearance outlet selling anything and everything in no particular order.

We’re working on the primary sculptural principle that sculptures are representations of the space of a human body in time, but those are big words for something that photography has made simple. Here’s our second human:

planter2Human #2

Empty flower planter and dry fountain at the Vernon Museum & Archives. Budgets are tight. Flowers and water appear to be the first thing to go. Even though dry, though, the human still appears to be doing well.

It is one of the principles of photography that everything it captures takes on significance. It is an industrial, machine process so perfectly pitched to human consciousness that it fools us every time. It is, in other words, a form of sculpture. More on that in a second, but first, human #3…

lter Human #3

Recycling waste cowering for shelter around a sturdy pole, becomes, when meshed with a muralized wall, a human, bravely facing the future, although with a certain amount of unease.

It was Mary Shelley who first created the steampunk world, right when photography was invented. Her creation, Frankenstein, was a novel cobbled together out of experiences, ghost stories, and folk tales. It’s star, Frankenstein’s monster, was cobbled together out of dead body parts, reignited by a spark of electricity, and wanting a life of its own: pure steam punk! Also, pure photography. Here’s Human #4.

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Human #4

A particularly bright-eyed specimen, with very intriguing body alterations and decorations. A splendid example of steampunk. Backside of the Royal Canadian Legion.

Now, one might wish to call these humans “robots”, but I’d prefer that we called them images of contemporary Vernon citizens. I think they’re beautiful, and can be brought together with the other, fleshier humans, who live amongst them, to create a new language.  I am intrigued by how photography, which in a way (through its industrial nature) led society down the path towards being divorced from the earth, can now lead us back by helping us to see where its effects sit within our cities. I think these photographs are sculptures. I think Vernon itself is one giant spiritual photograph, one that is dynamically alive, as here in the one functioning civic fountain …

splish Notice the Clock!

Photography traditionally achieved its effects of aestheticizing the world through the addition of time: a photograph of anything 100 years old is automatically art. It’s a fascinating effect. Now, though, we have the Vernon Post Office …womantreeclose

A Woman’s Tree Fear

… the effects are immediate, and time has saturated all aspects of the urban environment. See how I got to steampunk? All those lockets and earrings made from old watch gears, and all those thousands of people streaming around to garage sales on Saturday, are all playing an interesting aesthetic game with time. The tree above is not, and that’s what’s interesting. This difference means that there is great latent power within this aesthetic, and I’d like to accept the challenge of trying to find words for it and to bring it to healthy life. I’ll leave you with one more thought, while I think further on this. Here’s the local farmer’s market …

sweetandsavoury Tents, Cars and People in a Parking Lot

One part of future economic health. 

And here’s another…

acupofteaA Pot of Tea (or, a Farm of the Future, or Human #5)

Back Alley in Vernon, with muffler, pineapple weed, and a used coffee cup. In the steampunk world, which adds articles together to create temples of time, nature is trying to get into the picture. The steampunk image is currently looking to the past, and to a very dirty industrial one, too. The plants are pushing the image into, what… life punk?

Let’s follow it!

Next: I hope to have some clear terms for this form of art and future making.

Vernon: Steam Punk Capital of the World

Steam punk is a branch of writing and art (especially jewelry and sculpture, romantic novels and visual poetry) that recombines materials from the age of steam and iron, and sets them in the contemporary world of petroleum and electrons. Here’s what www.steampunk.com has to say about all that:

  • Take place in the Victorian era but include advanced machines based on 19th century technology (e.g. The Difference Engine by William Gibson and Bruce Sterling);

  • Include the supernatural as well (e.g. The Parasol Protectorate by Gail Carriger);

  • Include the supernatural and forego the technology (e.g. The Anubis Gates by Tim Powers, one of the works that inspired the term ‘steampunk’);

  • Include the advanced machines, but take place later than the Victorian period, thereby assuming that the predomination by electricity and petroleum never happens (e.g. The Peshawar Lancers by S. M. Stirling); or

  • Take place in an another world altogether, but featuring Victorian-like technology (e.g. Mainspring by Jay Lake).

Very cool stuff. A popular way of crafting some good steampunk is to hop on down to the flea market and scrounge up some  broken watches and costume jewelry, and do your magic to them, like this:

steampunk-craftfair

What’s not to love? You can view the rest of this Australian Maestro’s gallery here. Well, here’s the thing. I’m living on the edge of a city in the grasslands, and for a year and a half I’ve been talking about the lost world of the grass, and trying to show how it’s the future, while wandering through the houses and vineyards that have been plunked down in the middle of it like some bad body jewelry. Well, I’ve just had a brainwave. This is steampunk!

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Steam Punk in the Hills!

OK, maybe more waterpunk, but still, right?

You see, this city is flush with crafty artists and self-proclaimed avante garde writers, who are busy … making old things, in old ways. The truly avante garde poet Jason Dewinetz, for instance, pretty much gave up poetry to devote himself to a letterpress. He has never been so happy. You can find his award-winning design work at www.greenboathouse.com. Here’s one:

ock

One of the first books Jason did, before he was in the dungeon of Okanagan College and out at the Greenboathouse just up the lake from my house now, and long before I moved here, was this baby. First, the proud papa…

daydreamhr … and then the book …daydreamh

And for a sample of this translation of Shakespeare into a kind of steampunk nrrgh? Here you go: click. At the time, I was trying to work out some things about oral language, but what I did manage was to translate myself into Vernon, capital of steampunk. It’s not just Jason. It’s Kevin Mcpherson Eckhoff, too. He’s a stand-up comic who teaches writing things at Okanagan College, hangs around Jason’s dungeon, and hosts chapbook making afternoons at Vertigo Gallery in Vernon. Here’s one of Jason’s books…

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This tradition of using Victorian etchings in new and wild ways as a new art form and a daughter of poetry and excellent glue-stick technique has roots in the first world war, and wouldn’t you know it! So does Vernon! In fact, in Vernon, the men of the entire Interior, between the Coast Mountains and the Rocky Mountains, a country as big as West Germany, were lured into a makeshift camp on the grasslands, trained for a few weeks in marching and lunging, and then sent off to France, where they all died. And that was the end of that. Well, you might think so, but not in Vernon. Now it’s steampunk. Look:

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In Vernon, the War has Just Begun!

See the Steampunk touch? The mirrored wall beside it, complete with tagging and this photographer’s legs and worn-out hiking boots? Excellent, Vernon!

In fact, the war is everything to Vernon.

powerline

Note the Steampunk Hand-written Addition!

That’s one tagger I owe a cup of coffee. It was a French soldier who shot my Great Uncle Alfred through the head and sent him down the long road of a private post-war battle with the German Post Office and, gasp, eventual incarceration in an insane asylum in Sweden, no less. Not a boy from Vernon. No, they were all dead by the time Verdun rolled around.

My resolute hatred of war aside, I think this steampunk thing is the key to local society. After all, here’s a local alley…

thelast2straws

The Last Two Straws

The installation would be nothing without the tire. Pure steampunk!

Even the local art gallery is in on the act. It is right now trying to get funding to move out of its parkade before the local museum gets funding to move out of space built 50 years ago and as tiny as a crypt, while the politicians are trying to insist that they become one building, with one great big cold storage for all their paintings and artifacts (this was a fruitgrowing town once, and cold storage knowledge runs deep in the veins). Here’s what it looks like from the street…

show2 Annual High School Student Show, Vernon Art Gallery

While the kids are being taught about the ancient aesthetic thing of art (In mnany places, contemporary with the pre-World War I era, but in Vernon definitely a NOW thing), the passing traffic is driving right through their paintings. Really…

public

Pure Steam Punk.

Note the lack of “plant art” in the “planting box frame”. For “art”, the writing is on the wall.

You see how that works? No need for a multi-million dollar gallery. Just a cold storage and a bunch of polished windows, and we’re in. Meanwhile, over at city hall, the wise councillors are into a little steampunking of their own…

fountainoflifeCivic Fountain

That’s an elm seed (an invasive weed) and a dead mosquito and … eeyew.

You see how this works? Vernon is so steampunk, that everything is steampunk here. Even nature. Now “nature” is not a word I use when I’m in the grass, but down in town, where it’s an aesthetic thing, well …

manintree See the Man Walking Up in the Tree?

I wish I could do that. Very futuristic! And the civic offices? Aha!

blackbird Former Flower Planter

Now a weed planter, framing the reflected “nature” in the office window… no different than the art gallery with its cars, but grass and dandelions. Wow. Just wow. Brilliant use of media, guys! I owe this landscaper a coffee, too. And as for the War That Will Not End, even it is fought in Nature …

neverendingwar Note the Flag!

In Vernon, where World War II soldiers line up at the bus shelter, Canada is steam punk, too.

Now, I’m thinking that we could make common cause here. I could use the concept of steampunk to find an appropriate language for the colonial treatment of the earth in this place and put on some photography/text shows to blow the whole idea of nature wide open, so even Leipzig, champions of street art, would notice, Kevin and Jason could teach the stuff at the college, the museum and the art gallery could move in together and make steampunk displays of both artifacts and paintings in the same installations, and install stuff in windows to keep it all up to date, the taggers could be put on the gallery board of directors, the landscaper dude can be given a bag of dandelion seeds to work his magic on the civic lawns, and the road crew could use their mastery of abstract impressionism …

industrialart3

… to beautify the streets.

headrushGreen Light in Vernon

A head rush, for sure. There’s no limit. The cars don’t actually have to move…

waitingThey’re Waiting for Us to Catch Up!

Notice the excellent steampunk decoration of nature in the background. Exciting stuff!

Whatever else happens, the galleries and museums are going to need to reflect a culture in which the current galleries, the back alleys of town, are endlessly creative …

windowsweedswideIt Just Would Be So Much Less Without the Nature

Here too …

boxy Clever Use of Asphalt and Cardboard

And here…

door A Veritable Steam Punk Novel!

And pure mystery here …wallofmysteriesMystery Wall.

It is time to honour the culture of this place, and to help it heal its war wounds by bringing it to a language that can mesh its exciting culture of power …

betweenturns It’s Unclear Whether You Should Turn Left

and gas …

fitting This Gas Fitter Should Get an Award from the Regional Arts Council

Especially for that drain.

… and power…

redwhiteblue I weep for the joy of it. And for its exquisite use of line …redno Right to the Red Door!

…and (Hey, it is steam punk) Victorian lighting technology …lamplines In Vernon We Don’t Let in the Light. We Beam it to the Stars.

What a gas!

Not just a gas, but jazz…

jazzline The Power Lines of Vernon: A National Artistic Treasure

One of the earliest public art installations in the country, and, thanks to steam punk, excellently preserved. It makes those decades of a fruit industry all worthwhile!

And just in case you forget to …breatheBreathe.

More of that private parking thing, though. I think humans are at war with cars.

This war must end!

reflecteyes No Cars, No Steam Punk!

Note the eyes in the back window.

After all, the cars, strategically placed, beneath walls painted with the right colours, with the right orientation to the sun … can become steam punk, too!

sun

Vigilance is necessary …wild

… and nature could be treated with as much honour as the concrete it complements…

planter Weeds Trying to Steam Punk an Abandoned Planter for Shrubberies

Well, shrubberies were so 1970s. There was still money here. There was still a fruit industry. The museum had 50 years less steam punk to try to preserve. Time is part of every story here. And out on the outskirts, where something of the earth still breathes?  Aha …

plasticvistaThe Plastic Has Been Laid Down

Steam Punking the Land

It’s only here, where the city breaks down at its edges, that steam punking is a bad idea. In the city core, steampunking adds life. Out here, it’s just death. This soil has been stripped of nutrients, plasticized, chemically sprayed for weeds (yesterday, to prevent seed germination), and pounded back to rock …

soilTractor Blight

Steam punk gone bad.

So, you see. Steam punk, the heart and soul of a city that so wants to have a big art gallery like those huge multinational global cities of artistic excellence like Kelowna! What? You haven’t heard of Kelowna? Well, you’re forgiven. It’s a strip mall of car dealerships that sits on top of a bunch of old onion fields, but here’s the thing: they have the steam punk bug too.

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Stephen Foster’s Toy Portraits, June 22 to September 29th, 2013

Pure Steampunk!

Now, in Kelowna this stuff is called “Art”, but in Vernon it’s the streets. We have an incredible confluence of forces: museum, gallery, college, writers, print foundry, book designers, taggers, landscapers, road crews, and all the people who dress up like this …

olourfulworldWithout Colourful People, Vernon is Just for Cars

… just to keep the colour thing working. Kelowna doesn’t have that. As for the toy Indians? They did that in Dresden a decade ago. But this art is on the street and its punk thing? They did that in Leipzig only five years ago, so, like, we’re ahead, right! Not only that, in Leipzig, they don’t have this …

P1600605Crab Spider Hunting on the Steampunk Weeds in the Steampunk Suburb

They had a life on earth 200 years ago. We still have it. So, when we go to the stars with our art, and our streets, we can make a new kind of city, in which art, streets, museums and galleries are all one thing. I mean, we’re already there. Sometimes being in cold storage for awhile is an advantage… if you seize it. Even Kelowna can’t do that anymore, even if you haven’t heard of it, even if you have. Think Green!

forever “Art” is obsolete, but the green light is on!no card

Vernon! Steam Punk Capital of the World!

I’m serious.

The Pink Pink Grass of Home

It was such a pleasure spending some quality time in Tamara’s My Botanical Garden on Monday. Thanks, everyone, for welcoming me with such enthusiasm. It’s fine to share stories of the gardens of this earth. It’s a double pleasure to come back with another story of ancient gardens. This one extends my story about lichens that we posted a couple days ago. Let’s set the scene by stepping back to the lichens again, where they live in a garden billions of years old yet just hours new. They have, I’d like to suggest, effectively stopped time. And that’s a good thing!

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Marmot, Peshastin Pinnacles, Washington

Because of the lichens on these rocks (and the blue skies they created), the inevitable decline of Earth into a kind of Martian desert was slowed and even reversed, creating time for creatures like this to evolve and to prosper. Those are some of the old, uplifted volcanic plutons of the Cascade Mountains in the background.

Neat trick! Here’s how it’s done…

P1140888

Lichen Demonstrating How to Keep a Planet from Losing its Atmosphere

The secret? Be like the rock, but … instead of crumbling away, crumble onto something. This turns the crumbling energy inside out.

Billions of years is a long time — time enough for other plants to thrive in the lichen garden called Earth. Of course, if lichens were the only plant blooming in town, the earth might look like this:

grey1

Kind of Looks like a Photo Taken by a Mars Rover, Doesn’t it.

Well, except for the highway and the car. (See it?) Actually, it’s the volcanic wasteland of South Iceland, covered with grey lichen about 15 centimetres thick. It extends for hundreds of kilometres, just like this. 

This was all rich farmland before the Lakagígar volcanic eruptions of 1783 that reduced the Icelandic population to 20,000 starving, choking, poisoned souls. Here’s a view of the disaster, looking over it to the upland pastures that are all that are left of the farms of the region …

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Iceland’s Grey Lichen

Those are some of Iceland’s green, grassy hills in the back — as well as the catastrophic paraglacial flood gorge of Fjaðrárgljúfur.

Grass, tiny trees and flowers are lodging in the lichen now and setting down roots. It’s not volcanic rock that provides them with a foundation, but the lichens. The way I see it, the newcomers aren’t growing so much in earth as in lichen. Life roots in life. Like this, sort of:

lichen

Moss Making A Home in an Old Lichen, Bella Vista Hills

Mosses are algae that figured out how to survive on dry land. It took them almost 3 billion years longer than the lichens, but they made it, too. Sometimes in the spring it’s all too good to be true: a lichen can sometimes look exactly like a miniature, landlocked sea.

In terms of the Okanagan and the other volcanic regions of western North America (where this blog has its home), this story is especially resonant: both grasses and this region came to life between 50 and 65 million years ago. Back then, the area was covered in volcanoes (as the coast still is today.) Grass and the Okanagan are sisters. As a hint towards what they found here, here’s the remnants of one of those volcanoes:

giantshead

Giant’s Head Mountain, Summerland

The original stratovolcano was likely some 3,000 metres high, before multiple continental glaciers carried all its rubble away, leaving its frozen core. The name, Giant’s Head, comes from the shape of the mountain from the lakeside (behind and below the mountain). It is one of the traditional landforms of Plateau culture.

Likely, it was lichens that first grew on the new volcanic slopes here, as they do in Iceland today. The first grasses to root in those lichens were likely some of the first grasses anywhere. Maybe they looked a bit like this…

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Blue-Bunched Wheatgrass in the Floor of the Flood Basalts, Dry Falls State Park, Washington

Those are the old ones, the yellow lichens, spilling down the cliffs like the sun. Photograph made at 45 degrees Celsius in late July. What a beautiful day that was! 

Not only did the new grasses of the hot, dry new lands of the North American West (and the Asian Steppes, African Savannahs, South American Pampas and the Australian Outback) replace lichen (just as they are doing in South Iceland now), they evolved from lichens in the first place. In other words, the grasses are a stage in the blooming of lichens into full expression of their identity. Things work both ways in this story: to understand grass (and humans), understand lichen; to understand lichen, understand grass. Here’s the grass that got me to thinking of all this:

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Pink Grass!

It’s rather like a crocus, isn’t it! In case you were wondering, all that bare glacial till is a road cut that the grass is moving into.

There’s a story in the grass. It’s not quite like the story of the lichens, that are powered by the earth’s annual trip around the sun just as they have been for a fifth of the age of the universe. It’s more that the grasses are powered by cycles of heat and dryness, caused in part by carbon dioxide levels in the atmosphere and in part by the atmospheric influence of the grasses themselves. Grasses, that like heat, heat things up, which leads to hotter grasses and increasing atmospheric change.

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Junction Sheep Range, Cariboo-Chilcotin Grassland

It was on grass like this that humans became human. This is our native habitat. Let’s take a minute to honour our sisters, the grasses, as the wind blows through them and they carry it in waves, like water.

The soft contours of the hills in the above image are created by the winds falling off of the depressurized eastern slopes of the Coast Mountains — winds created on the open Pacific by the rotation of the Earth. They never stop (That’s a good thing!) The contours above are beach dunes — two hundred kilometres from the ocean and across an almost impenetrable barrier of mountains, glaciers, and volcanoes. They’re not new, though. This is the way they were 10,000 years ago, when the continental glaciers melted away and the fine silt of these post-glacial lake bottoms dried in the dessicated, re-pressurized wind — the winds, we might say, blowing off of the sun. The deeper the valleys, the hotter and windier it gets, as if the winds were rushing to the centre of the earth.

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Richter Pass and Chopaka

According to the elder and storyteller Mourning Dove, this was the Traditional Centre of the Syilx World. The light-coloured fields in the middle ground of the photograph host a species of miniature, desert shrew — an isolated population surviving here hundreds of miles north of its relatives in the hot country to the south. That’s what deep valleys in the lee of coastal mountains can do. (By the way, I was raised by the valley a few kilometres to the right, and north, of this mountain. It’s the centre of my world, too.)

Bunch grasses survive in this extreme climate that would draw eleven times as much water out of the soil as falls in snowfall and rainfall if it were not for the crust of lichen acting as a skin on the earth. One technique they use is to harvest water from an area far greater than their small, living hearts.

methowbunchgrass Blue-Bunched Wheat Grass, Methow Valley

They are the dominant creatures in the landscape. Each lives on its own, precisely spaced from her sisters. They do not make sods.

Bunchgrass harvests extra water by the trick of maintaining its stalks for multiple seasons. The growth of past years harvest waters for the present and for the year to come. Here’s a picture taken at dusk with a flash, to highlight the stalks, after a year of failing to get a decent picture because the grass just blends in so well…

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Blue-Bunched Wheat Grass in Its Winter Plumage

There is a small green clump of grass at the base of these outstretched old stalks. Water from dew and rain collects on the stalks, then runs down to nourish the plant at its base — leaving too little water between plants for much else except for flowers and lilies, which show themselves aboveground for just a few weeks a year and then wait it out in the dark. Like the lichens, the bunchgrass is buying time. It is doing it by buying water.

It’s not the only way to be a grass. Here’s another dryland North American grass that buys time by changing its supply of light.

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Corn under the Harvest  Moon

Corn is one of many grasses that utilize a specialized form of photosynthesis that reuses air until it is completely harvested of its carbon dioxide, then it breathes it out. This efficiency allows it to mature in areas otherwise too harsh for a full season.

Like all daughters of the lichens, the grasses are used to pretty extreme conditions — the kind you might expect to find on a planet in open space. Planets like that sometimes dry out, especially when the waste breath of the grasses tends to heat things up. Here’s a grass that has embraced the whole scenario, with style …

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Needle and Thread Grass, Bella Vista Hills

Needle and thread grass seeds are attached to long threads, which curl when dry, hook on the long, overhanging stalks, and hang just above the lichen crust on the soil. The daily heating of the sun causes the threads to flex and then unflex daily. The seeds have a drill point on their tips. Day by day in this way, they drill themselves down into the lichen, where they sprout. Here’s my earlier post on these beautiful grasses.

Grasses are all about buying time. Here’s one that buys time from everyone around it: the lichen, the grasses, the flowering plants: everybody. It’s called cheatgrass, it’s invasive, it has destroyed most of the grasslands of the West, its sharp seeds stick in your socks and drives you nuts, and it’s a survivor:

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Cheatgrass in its Happy Time

It takes all the water, before any native plants are ready to use it, it replaces the macrobiotic crust, it extirpates flowering plants and butterflies, and it dries up into explosive tinder by mid-summer. Give it a match and it goes up to gasoline — just in time for its 900 pounds of seed per acre to choke out anything else trying to reestablish itself in the ash.

Cheatgrass is also ready to photosynthesize the instant it comes out of the snow. It buys time by using everyone’s at once. And now, here’s one more way in which the grasses of our botanical garden here in the old volcanic country in the mountains skirting the North East Pacific Coast buy time:

P1220964 This is Not a Native Grass. But Look at It! It’s Burgundy Coloured!

I just love this stuff. It has yet another way to buy time: store lots of food in its underground rhizomes, spread throughout the late fall and late winter, when the soil is soft and cool, and sprout early, with vigour, to get above anything else that might be there. Forget about photosynthesizing. You can do that later. 

The red pigment indicates that no green chloroplasts, the little cyanobacteria traps within grasses, are present. Whereas many lichens are unions of cyanobacteria and fungus, in grasses, the cyanobacteria are trapped by the grasses’ DNA and replicated over and over again. It’s like this stuff is going through the whole process of evolution all in one season, over and over again, year by year by year. As the air warms up and photosynthesis becomes possible, the first green appears in the leaves (This year, about two weeks after the shoots appeared.) …

P1220962… and then a little more …

P1220959 … and more yet …

P1220960Two Weeks After Emergence

Notice the bright green cheatgrass making its move at the bottom of the image.

It won’t be long before these grass blades are fully green and towering over everything else in sight — even the cheatgrass. On these intricate, self-replicating chemical structures drawn out of the earth by the energy of the sun, and on their mothers, the lichens, and the mothers of them all, the light-eating cyanobacteria, all life depends. Each form of life has its own niche. Lichens reverse the flow of time. Grasses manipulate it and concentrate it, and make it possible for creatures to live within the energy fields that they create …

threehorsesThree Young Male Grass Creatures, Hofstaðir, Iceland

Kind of asking if we would just remove that wire so they could visit the fillies in the pasture across the road… pllllllleeeaasssseeeee?

And what do humans do with this amazing gift of the grass? Ah, landscape (a verb.)

weedeatYoung Agricultural Student Whacks Grass Amongst Once-Proud Horse-Drawn Grass-Cutting Tools, Holar, Iceland

Mountains nicely-eroded by sheep in the background.

The harvesting that was once done with the energy created by grass, harnessed by grass-like human ingenuity to horses, the animal most perfectly the spirit of grass, is now performed with large machines powered by dead plants compressed under heat and pressure deep underground — plants from an age long before there were grasses of any kind. The effect is increased carbon dioxide in the air and a younger, hotter earth — one not suitable for a multitude of other species that came to life in the webs that grasses made of the sun, or like horses and humans who came to life in the grasslands and remain dependent upon it.

horsehorizon

The Grasses of the Okanagan Indian Band Walk Home on an April Afternoon

If you want to see what a master photographer can do with grass, why not have a look at the book I wrote with the photographer Chris Harris: Spirit in the Grass. It has 300 photographs and was a labour of love.

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Thanks for walking in the grass with me today.

Porcupine My Brother!

Here’s an example of porcupine cherry tree pruning:

P1210457Porcupine Art on Grassland Choke Cherry

Instead of brush strokes, thinks tooth strokes. Think: playing a cello with your teeth. And no strings. And no conductor. Just the snow, the stars and you.

The porcupine, a so-called wild animal, prunes the choke cherries by taking out whole stems … and the most mature stems at that. This thins out and renews the tree, which is short-lived anyway, given that it’s the host to many species of insects and fungus, not to mention those great blue lichens. In comparison, here’s a domestic cherry tree I pruned for a woman who got through the London Blitz fine enough but who now, something like 70 years later, was gouged a king’s ransom for a bad pruning job on her cherry tree four years ago and on her tiny pension just can’t afford that. Okanagan Okanogan is not going to stand for that! It’s time to leave the virtual world!

P1210673Okanagan Okanogan to the Rescue

Cherry trees are sacred things. If you’re going to prune them, do it right.

Still, it’s not that much different from the porcupine’s work, is it!

highcutInstead of Tooth Marks, Chainsaw Marks. Other than that, scant difference.

Note from the tree rings just how quickly that branch has grown in the last three years, after about three years (i.e. before the scam artists messed around with it) of happy, slow puttering along. Pretty soon, the whole tree would have been forty feet in the air, with nothing down below but dead sticks.

Cherry Trees are self-pruning, when left to their own devices. Choke cherries discard old stems. Domestic cherries discard lower branches (which are also older stems). The porcupine and I are both in the business of creating new stems. For the porcupine, it’s whatever’s within climbing distance. For a man, it’s, well, bringing the tree down and giving it an extension on its youth in whatever space is within climbing distance. Hmmm. Again, it’s a tie. Except …

P1210690I Get Firewood!

There’ll be cherries to share later, when the time is ripe. I think we’ll be hearing from the robins around then, mind you. “Brother!” I expect they will say. “Nice fruits.”

Idle No More

The Idle No More movement is an important movement for Aboriginal independence and respect. Here’s one reason why:

P1210421Syilx Elders 

Painted on a Pet Food Store Wall and Reflected in a Financial Services Office Window, with Idling Cars

Google’s response is intriguing. They dealt boldly with the image on Streetview (well, part of it only):

censor2White Man’s Art, Vernon, B.C., Censored by Google

I only wish they had cleaned up the whole wall.

Meanwhile, up the street, the Vernon Winter Carnival was having their parade …

P1210253The Idle No More Parade Entry

Creeping forward at an idle, between the dinosaurs. 

Dinosaurs? Yeah…

dino

Why Dinosaurs? No Dinosaurs Ever Lived Here, Ever Ever Ever Ever, Right?

Because it’s a Prehistoric Winter Carnival, that’s why.

You can’t make this stuff up.

Birds at Work

Want to get your colour palette right? Follow the birds! They make art, too.

P1180114 Staghorn Sumac 

Think of it like a paintbrush.

And what do the birds make of it?

spray2

Jackson Pollock, move over. The kings are here.

Yes, it’s random. No, it’s not art, because it’s not human, but it is the same thing, only expressed through the actions of a different species.

If humans continue to search for intelligence in the universe, one lesson they will have to learn well is: it won’t be human. Another is: it won’t fit neatly into contemporary concepts of individual behaviour. Those are just fashion.

pommeSimilkameen Apple after a Heavy Snowfall, Bahati Farm, Keremeos

 Art, as the Universe lives it.

Go, Ogopogo, And Don’t Come Back No More!

There is a legend from the time when the British Empire owned this corner of North America, that says that the local people, the Syilx, claimed there was a monster in the lake, much like the cryptosaur of Loch Ness: kind of a long snaky thing with teeth at one end and a tale at the other.

ogopogo-lake-okanagan-resort

Ogopogo

The wire and concrete version. Note the excellent hand-cut rubber tire look.

People are still looking for the wee beastie. Here’s a website devoted to all of that. This,  (zooming in on the image above), though, I believe:

secondary

Rattlesnake Island

According to Syilx Geography, the creature N’ha-a-itk, which was disrespectfully garbled as Ogopogo, lived in a cave beneath this island.

Now, let’s pull back just a little, and see that island in its context …

P1180423

Rattlesnake Island and … A Head with a … Snout?

Let’s look a little more closely …

snoutThe Snout is a Head, too?

… and farther back …

crittersA Hump-Backed Fish?

This game is at least half as much fun as the Cryptosaur one, but it does have some basis in cultural understanding.

pink spawn

Hump-Backed Salmon

These guys used to come up here from Siberia, but were cut off when lake levels sank at the end of the Ice Age. Could the stories here be that old? Sure.

I think is an ancient way of reading the land that is caught up with the story of Okanagan Mountain. After all, in Indigenous cultures throughout Northwestern North America, the interrelation between living creatures is commonly more important than Western ideas of their species-specific independence. Here’s an example from the Vernon Museum:

arg19Argillite Carving, Haida Gwaii

Everything is flowing together. Every thing is changing into each other thing. People, too.

With that pattern of thought, I think the entire valley of Okanagan Lake was once read as a story. Here is just a brief introduction to its characters. There are many more.

okmap2Instead of Reading Constellations in the Sky…

…the Okanagan has Stories in the Land

That’s a map well worth archaelogical exploration. If re-created, it might tell of the human experience of history here and be the basis for moving Okanagan culture back into the land. Who knows what will be learned by uncovering 10,000 years of human history in this place. Who knows what novels and ecological understanding will follow. After all, the people who invented Ogopogo by mis-reading that land …

ogoapples

…also, eventually, created this as their crowning achievement…

Mission HIllMission Hill Winery, West Kelowna Source.

An Austrian bell tower funded by hard liquor profits and called “A family estate.”

…and this, too …

Biological Garden, University of British Columbia, Okanagan Campus

That’s a blue bristle from a street sweeping machine in the foreground. The university has currently raised 1 billion dollars towards its 1.5 billion dollar goal of supporting innovation and something it calls ‘place’.

I’d sure miss the earth if it were gone. The place in the image just above has already left it.

rattlelookingnorth

N’ha-a-itk Family Group with Rattlesnake Island

Looking North from the ancient north-south trail.  Greata Ranch

Next: What innovation really looks like.

The Incubator

For four years I knocked around in the Vancouver Island city of Campbell River, an old pulp mill and fishing town that has met hard times. It contains, however, two remarkable artists. I made a trip to see them last week, and to see their experimental gallery before it closed. Welcome to the Cube…

P1140611

Not Just Your Average Unsaleable Store Front in a Town Down On its Luck

This once has operated for a year as much-needed studio space, gallery space, and teaching space. It is funded by realtors, landlords, and the city, in a partnership that uses artistic presence to bring viability to neighbourhoods.

This is an arts incubator…

P1140630

The Incubator

The art in question here is sculpture, but not the sculpture made out of metal or stone or wood. This is social sculpture, that sets about to change communities through art.

The incubator has worked. Social sculpture is now firmly set into Campbell River culture, and the building has been sold, which was the economic plan. It will soon move to other vacant space in town. Here’s its crowning work of sculpture…

P1140637

Set Up for Ken Blackburn’s Show and Talk: “Lunar”

Yes, sculpture. These might be two-dimensional paintings, but they are surrounded with notes and stray paint and chairs, so thoroughly balanced that they are a form of sculpture themselves. The installation would be nothing without the chairs.

Oh, here’s Ken…

P1140742

Ken Blackburn with his Totem Cicada

…and the traffic cones hiding some nasty plumbing jutting out of the floor. Who says that art can’t be useful? Light work by the artist Jill Banting.

I’ll be talking about the full dimension of what Ken has been up to this last year in this space, but it would be meaningless without an understanding of what Jill has been doing. Right now, she’s bringing young artists out of the schools into this living studio, to lead them close to artistic practice, but that work is set against a backdrop of social art, which looks like this…

P1140674

Social Recording

For three years, Jill has been recording public meetings in Campbell River using this technique. The goal is to bring people towards common vision by recording their thoughts spatially rather than in words. In this case, she invited guests at Ken’s “Lunar” talk to contribute as well. The technique is in its infancy, but it has already demonstrated incredible potential. The Cube itself would not have come about with the environment it created.

This is one model for a new university and a new school of earth writing. We have the same thing just being born here in the Okanagan …

laisha

Novelist and Poet Laisha Rosnau …

… with her poetry book “Lousy Explorers” at the Vertigo Gallery Book Wall

Like the Cube, the Vertigo inhabits otherwise low-priority retail space and brings young people out of the schools into the world of practicing artists. Under the leadership of Vertigo member, poet and dadaist sculptor Kevin McPherson Eckhoff, it also features a book wall, where local books are framed as if they were art. Few are hand-manufactured local books, but it’s a good start. We can build on Kevin’s sculptural model. Perhaps this is what real schooling looks like: a bit of the Cube, a bit of the Vertigo, a bit of the Bidoun Library (see here), a bit of Jill’s groundbreaking social recording, plus the readings of the land this blog has taught me how to lay out outside of the pure worlds of farming and literature, and we’ll be on our way. Oh, and here’s the moon three nights ago on the Island…

P1140798

Moon Over Saratoga Beach

One day off full, burning through fog, crystalizing it into ice, no other stars in the sky, except for aldebaran, the bull’s eye, amplified by the moon ice… our reward for paying attention.

Next: What Ken has been up to, and what we can take from it for our new Earth writing academy. I hope you’ll tune in on Monday, because it’s unexpected and exciting.

Playing With Colour

The poet Goethe wanted to be forgotten for his poems (in the running for the greatest in the German language) and remembered for what he said about colour. He said a lot of things about colour, most of which lead all the physicists astray into frustration, confusion and dismissal, but one thing they missed went something like this…

Filbert Tree in the Early Winter Sun

With all its catkins out for all to admire. The ladies come out at winter’s end, with less show.

With a plea for forgiveness, because I had to make this image with a machine and wasn’t able to lead you here to see it with your own eyes, as Goethe would have preferred (and as I would have preferred, too, because we could have a cup of tea together and share some time on this earth), Goethe suggested that light was one indivisible stuff, which took on colour and differentiation when viewed by humans in a manner consistent with their mood, health, age, character, and so forth. Outwardly, it seems to be pretty poetic stuff. It wasn’t. He was reacting to Newton who showed that white light could be divided into a rainbow, and then put back together again into white light. Goethe’s point was that such an approach saw only division, not unity, and so missed the real story, which was indivisibility.

Lombardy Poplar Catkins in the Spring

Newtonian physics points out that all wavelengths of light are absorbed by these catkins, except for those which radiate in the red and purple spectrum. Goethe tried to point out that it is the same light. The visible differences were, in his view, indicative of more than just wavelengths of light.

Colour photography, however, is a Newtonian technology, not a Goethean one. For most of its history, it has worked much like a phonograph, which turned sound into vibrations, which could be turned back into sound. In terms of photography, if light can be taken apart into primary colours, as Newton did with prisms, it can be recreated by laying sheets of those primary colours on top of each other. The total will produce “colour”. Until computer technology, this was how colour printing was done, sort of like this:

Red and … (hang in there, I’m going somewhere with this…)

Red and green and … (keep hanging on, those are sturdy branches there…)

Red and green and blue and … (by the fingernails, if you have to…)

Red and green and blue and black (for the shadows and the ooomph) make …

1960s

Which were really the 1950s until the 1970s. I even had a 1950s bathroom with tiles the colour of that sky once, with wallpaper that also had shells and fish and stuff.  Anyway, by the 1960s colour photography had become pretty sophisticated. If our filbert tree were processed on a Kodak print back then, it might have looked like this.

By the 1970s, colour was even better…

1970s

Brought to you by the ultimate in German chemical technology. I tell you, it was exciting at the time. One felt that one was walking in a European calendar, all of the time! Which was a very dreamy thing, for sure.

Then things went nuts. First there were postcards, which tourists could pick up at every gas station or castle, depending on one’s continent….

Postcard Style

Grab ‘em, extract the cash, and wait for the next sucker. Humans really went for this stuff. For humans, it was like the chocolate chip cookie of the soul. This was before the invention of supersize fries, of course.

The techno boys were onto something. Humans are biologically wired for difference, and when it’s difference in colour and light it goes straight to the reptilian brain and humans start looking for canoes full of British explorers out in the main current of the river of life, that they can slide over to and ambush, so to speak. Well, after that, of course, came the pixel, that could do all of these colour overlays all on its little own, and the electronic camera, and the kind of image that appears everywhere now as an image of nature, like this:

Just Slide the Saturation Sliders All the Way to the Right and …

… you have the planet as tourists see it, which now looks like a permanent state of affairs. This makes contemporary humans go, like, “Wow!” It’s infinitely seductive.

Here is the technique again in a government approved tourism photo:

Kelowna Vineyard

British Columbia Government Photo. Source. This is not the earth. 

Goethe was trying to prevent that. He was aiming for a way of seeing which remained with the world and with human relationships to it, as part of it. Here’s the photo again, a little less intrusively, although I must say it’s impossible to humanize what a machine has dehumanized, but at least it’s a little closer to the world (but just a little.)

Failed Attempt to Rehumanize the Machine

Oh, well. I succeeded, I think, in making it look like a drugstore photo print from 1981.

To Goethe, the question of whether science and poetry, or science and art needed to be reunited was absurd. To him, there was no difference, because they came from the same infinite living source, that this life force, this energy, was the story of the universe, and led to this kind of thing…

Looking Across Okanagan Lake to Short’s Creek Canyon

A blue world for the blue season, in the emotional and spiritual sense as well as the physical one. The light glowing from the lake is part of this spiritual story, as are all the subtle gradations in it, as apprehended by the human eye that doesn’t separate it into wavelengths before viewing it, but views it from within itself.

To Goethe, there was one world, and the subtleties of human reactions to it could uncover its deepest secrets in a process of growth that would not end. There are a number of deductions that could be drawn from this. One of them is that claims by some contemporary physicists that they are on the verge of cracking the mysteries of the universe are about to prove Goethe right. The next is that claims by many contemporary humanists that Indigenous peoples have an intimate relationship with nature, and are part of it, whereas Europeans are not, is just plain ignorant hokum. If I may speak so plainly.

Tomorrow: What happened to it, and how to fix that.

Fun, Food and Respect with Pumpkins

First, the unchosen, fated to rot in the field and to be plowed under in the spring…

A Pumpkin That Actually Ripens for Halloween is Six Weeks Too Late

Bummer

Then, the chosen one …

Jack

Lit by the finest industrial paraffin.

And in his new environment …

All the Child Attractants Money Can Buy at 50% Off for a Decade

Boo!

Back to the Eighties, even! Here is my self portrait, taken early yesterday evening, hard at work at the blog.

White Trash?

As You Can Likely Spot, I Was Purchased at a Garage Sale

It was fun. Now I’ve been munching toasted pumpkin seeds all day.

This Was Actually the Original Indigenous Use for Pumpkins

And a darned fine use it is. All that English Getting to Know the New Neighbours By Finding an English Use for What’s In Their Fields tradition is all fine and good, but what about the seeds, hmmm? Shouldn’t we be, like, harvesting the seeds, too?

It’s a great thing to give food to the neighbour’s children, to play at White images of the Indigenous people who saved the Pilgrims’ butts that first cold winter in New England, to commemorate that in a way that connects to ancient Wiccan practice of earth worship, but to complete that, to really do it, to really honour that generosity and spirit, wouldn’t harvesting the seed and roasting it be respectful of our land and our Indigenous cultural ancestors and a sign that we are finally ready to come together and be one people in one field?

It’s Lonely Out There

Oh, wait, ah, I see why not now …

Who on earth wrote the ghost story script for this movie? I’m in the mood for a romantic comedy, you know, or just this, Sherman Alexie’s masterpiece, Smoke Signals.